This is the first I've seen the thread - I usually keep more to the RelicNews P&M Forums, but followed over here via mention of your 'Pacters out on the internet.
Excellent conversion work and beautiful, gritty painting. I'd likewise chime in in that for a solid presentation (after hopefully adding a few more bodies to the group) that what you've got going on here doesn't need changing in the least. Basing, painting, and concept are all well-represented and live up to Abnett's depictions, I think.
I have often read through Golden Daemon brochures and thought that the earlier cut work is much better than the finalists. You are always victim to current trends and fashions, especially in GW's case. Always the finalists are often those that focus on a new codex release for example.
Keep your style as what it is, because ultimately your style is exactly that, yours. It's what makes your work unique and special to you. Don't change that just to win trophies, a picture speaks a thousand words, more so than a piece of metal.
I'm hoping the same applies over in the
UK, but I wouldn't say that US judges (at least the past two years in the Chicago Demons) are biased against the gritty, realistic approach. That's mostly the way I paint, although people often tell me I have a very "clean" painting style also, which I'm still trying to figure out.
For what it's worth, more or less gritty and dirty figures are capable of winning
something:
I'm also of the impression that the finalists are fairly representative of a better standard quality-wise than the First Cut entries (at least from what I can see of other people's figures the past two years in Chicago, although I'm personally boggled that mine have won awards/recognition, having
seen other entries firsthand.) By and large, the majority of figures do not photograph well and are not necessarily representative of how they look in the Golden Demon competition themselves, although I'm to understand that they've somewhat tweaked their assessment process for figures this year, if not photography.