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 Manchu wrote:
 Mad Doc Grotsnik wrote:
By 'apologist' I assume you mean 'anyone whom I disagree with' yes?
No, by Prequel apologist, I mean someone who argues that the Prequels are fine movies because, among other reasons, they are held to unfair standards. In other words, an argument that shifts criticism of the movies to criticism of the audience.


Automatically Appended Next Post:
 Mad Doc Grotsnik wrote:
It's the middle part of a trilogy.

We didn't know everything about everything by the end of ESB, did we?
Unlike TFA, ANH was not built on a series of purposely unanswered questions. So there wasn't a mystery to solve in ESB.


Difference there is that nobody expected there to be a sequel to ANH. Apples and Oranges chum.

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It was your comparison - why tell me "apples and oranges"?

   
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 Mad Doc Grotsnik wrote:
It's the middle part of a trilogy.

We didn't know everything about everything by the end of ESB, did we?


Yeah, is not that something crucial about the father of one of the characters was revealed in ESB, or something.
Compare to TLJ. NOTHING. Just stuff pushed under the rug.

This message was edited 2 times. Last update was at 2017/12/21 15:17:18


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 Lord Scythican wrote:
There was something I forgot to mention in my previous post. I wonder, is it possible to edit the movie to where it is more acceptable? Something like The Phantom Edit of the Prequels, or The Tolkien Edit of the Hobbit Trilogy. Both of those were surprisingly very good. They trimmed both trilogies into a 90 minute Film that was very acceptable.

You could trim out Finn and Rose Completely. Basically never have Finn wake up. You could edit the Poe/Purple Hair scenes to where there is no mutiny and remove purple's hairs snarky comments. Basically you could make the slow death of the resistance look hopeless until Purple Hair sacrifices herself. Maybe even photoshop Ackbar's head on her. Because regardless of the plan or lack of plan the resistance did have a slow agonizing death. Leia would be tricky, perhaps you could cut out her space scene and just show that she survived and was in the medical room.


See I thought Po was being an idiot from the get go. Maybe because I was in love after the whole restore the Republic speech, but that did feel like a filler plot to give Po something to do.

I think they didn't do anything with Ackbar because the actor died. Granted, he could have simply been wounded like Leia and show up later; especially since the Resistance no longer has a military figurehead with Carry Fisher gone. I cannot see them making a star fighter pilot leader of the Resistance. Plus I think a big reason why Holdo gets challenged by Po is because she has assumed the mantle of command unexpectedly so everything is disjointed; Po probably would have just gone with Ackbar or Leia. I know some websites insisted that he couldn't have done the same scene as Holdo but he was in RoTJ quite a lot and had a fair few speaking lines. More than Mon Mothma for example and crashing a cruiser into a Star Destroyer isn't a speaking part. Plus they had CGI Mon Calamari before to get more facial expression.

I don't think the film is pushing some sort of politically correct narrative. You see lots of female officers in the FO and people of other race. I mean Finn was a Stormtrooper. I think Holdo is a girl because it instantly conveys that she is Leia's protégé and is consciously echoing Mon Mothma in the OT. I mean that speech to the Resistance is a very similar set up to that scene. So that is why she is a girl. The other officer is barely a character and seems to have been picked for looking like one of those well meaning people who tries to run a soup kitchen but everything is a disaster.

I mean Luke has a huge role in this film and he is an old white guy. You've got Po Dameron as another dude. Rose is primarily a supporting character in Finns story. Which really just leaves Rey as a legit main female character and even then I would say she is more used to push Kylo story along. So I don't think the film is feminist. I think RJ is just trying to make a SW movie. You should view Disney patting themselves on the back over being inclusive with skepticism.

Plus in the EU the Empire was very opposed to the notion of any women in its ranks and presumably this would extend to humans of different ethnicity. It certainly extended to non-humans. Its isn't really being politically correct to visually suggest that the First Order are Nazis and the good guys are bit more representative.


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 Manchu wrote:
It was your comparison - why tell me "apples and oranges"?


I mentioned ESB, not ANH. ESB left dangling plot threads to be resolved.


Automatically Appended Next Post:
 Kaiyanwang wrote:
 Mad Doc Grotsnik wrote:
It's the middle part of a trilogy.

We didn't know everything about everything by the end of ESB, did we?


Yeah, is not that something crucial about the father of one of the characters was revealed in ESB, or something.
Compare to TLJ. NOTHING. Just stuff pushed under the rug.


No. Something about Vader and Luke was alleged, but not resolved until ROTJ.

Again, you not liking an answer to a question is not the same as no answer being given, or something being swept under the rug.

Indeed, when asked who she is in TFA, Rey explains 'I'm a nobody'. This is confirmed now. She is literally a nobody.

This message was edited 1 time. Last update was at 2017/12/21 15:38:22


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 Mad Doc Grotsnik wrote:
 Manchu wrote:
It was your comparison - why tell me "apples and oranges"?
I mentioned ESB, not ANH. ESB left dangling plot threads to be resolved.
That would also be "apples and oranges" - the complaint about TLJ is not that it raised questions to be resolved in Episode IX but that it brushes aside questions raised by TFA.

   
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 Totalwar1402 wrote:
 Lord Scythican wrote:
There was something I forgot to mention in my previous post. I wonder, is it possible to edit the movie to where it is more acceptable? Something like The Phantom Edit of the Prequels, or The Tolkien Edit of the Hobbit Trilogy. Both of those were surprisingly very good. They trimmed both trilogies into a 90 minute Film that was very acceptable.

You could trim out Finn and Rose Completely. Basically never have Finn wake up. You could edit the Poe/Purple Hair scenes to where there is no mutiny and remove purple's hairs snarky comments. Basically you could make the slow death of the resistance look hopeless until Purple Hair sacrifices herself. Maybe even photoshop Ackbar's head on her. Because regardless of the plan or lack of plan the resistance did have a slow agonizing death. Leia would be tricky, perhaps you could cut out her space scene and just show that she survived and was in the medical room.


See I thought Po was being an idiot from the get go. Maybe because I was in love after the whole restore the Republic speech, but that did feel like a filler plot to give Po something to do.

I think they didn't do anything with Ackbar because the actor died. Granted, he could have simply been wounded like Leia and show up later; especially since the Resistance no longer has a military figurehead with Carry Fisher gone. I cannot see them making a star fighter pilot leader of the Resistance. Plus I think a big reason why Holdo gets challenged by Po is because she has assumed the mantle of command unexpectedly so everything is disjointed; Po probably would have just gone with Ackbar or Leia. I know some websites insisted that he couldn't have done the same scene as Holdo but he was in RoTJ quite a lot and had a fair few speaking lines. More than Mon Mothma for example and crashing a cruiser into a Star Destroyer isn't a speaking part. Plus they had CGI Mon Calamari before to get more facial expression.

I don't think the film is pushing some sort of politically correct narrative. You see lots of female officers in the FO and people of other race. I mean Finn was a Stormtrooper. I think Holdo is a girl because it instantly conveys that she is Leia's protégé and is consciously echoing Mon Mothma in the OT. I mean that speech to the Resistance is a very similar set up to that scene. So that is why she is a girl. The other officer is barely a character and seems to have been picked for looking like one of those well meaning people who tries to run a soup kitchen but everything is a disaster.

I mean Luke has a huge role in this film and he is an old white guy. You've got Po Dameron as another dude. Rose is primarily a supporting character in Finns story. Which really just leaves Rey as a legit main female character and even then I would say she is more used to push Kylo story along. So I don't think the film is feminist. I think RJ is just trying to make a SW movie. You should view Disney patting themselves on the back over being inclusive with skepticism.

Plus in the EU the Empire was very opposed to the notion of any women in its ranks and presumably this would extend to humans of different ethnicity. It certainly extended to non-humans. Its isn't really being politically correct to visually suggest that the First Order are Nazis and the good guys are bit more representative.


Did you you reply to the wrong person? I was talking about editing the film and nothing about a politically correct narrative...
   
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 Mad Doc Grotsnik wrote:
 Manchu wrote:
It was your comparison - why tell me "apples and oranges"?


I mentioned ESB, not ANH. ESB left dangling plot threads to be resolved.


Automatically Appended Next Post:
 Kaiyanwang wrote:
 Mad Doc Grotsnik wrote:
It's the middle part of a trilogy.

We didn't know everything about everything by the end of ESB, did we?


Yeah, is not that something crucial about the father of one of the characters was revealed in ESB, or something.
Compare to TLJ. NOTHING. Just stuff pushed under the rug.


No. Something about Vader and Luke was alleged, but not resolved until ROTJ.

Again, you not liking an answer to a question is not the same as no answer being given, or something being swept under the rug.

Indeed, when asked who she is in TFA, Rey explains 'I'm a nobody'. This is confirmed now. She is literally a nobody.


Because her being nobody isn't interesting or even depicted as interesting.

Lets compare this to Bastila from KoToR. Shes also from humble origins, but her parents are actually relevant to her character and story. She assumes her mother was a horrible person who sold her to the Jedi to get rid of her and drove her father to death. However, you find out that she is a dying woman and that they sent her to the Jedi hoping that she would be a great Jedi and escape a life of misery. This means Bastilla can realize that her mother wasn't an evil crone and make peace with her. We also learn nice little lore tidbits like how she used to enjoy going on treasure hunts with her father on Tatooine. More broadly its part of a hint that there is a darkness to this otherwise seemingly perfect holier than thou Jedi which pays off when Malak turns her.

What we get from Rey is a blunt "Yeah your parents are dead. Drunks. Sold you for money. They didn't love you BUT I DO REY. " So its basically just a crude set up for Kylo Ren to try to corrupt Rey. We don't actually learn anything meaningful about Rey's backstory from this revelation. It isn't actually relevant to her personal arc, she had already decided not to wait for her parents on Jakku. Her abandoning hope of them being alive changes nothing. I certainly don't see how this can be relevant to her future arc.

Whereas with Bastilla this whole side quest helps to give an insight into the characters past and personality the revelations about Rey are non-existent. Our perception of Rey does not change as a result of this knowledge, we continue to know next to nothing about her except as this quite superficial character.

This message was edited 1 time. Last update was at 2017/12/21 15:54:30



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 Mad Doc Grotsnik wrote:

Indeed, when asked who she is in TFA, Rey explains 'I'm a nobody'. This is confirmed now. She is literally a nobody.

Again. Rey bing a nobody is not an issue per se, quite the opposite. People just suggested she was a memory-wiped student or at least the daughter of Obi Wan or Luke because all the preposterous stuff she pulls, included improvise a mind trick or beat the student of Luke Skywalker the same day she picks up a lightsaber.
It was desperation from people part, in a way, in an attempt to make sense of something written by J.J. Abrams.
Futile.

For the rest, you are essentially answering me in the same way people answered me after TFA - the next movie will answer it. Except that for answer this and other things, they have to invert a lot of things introduced in this movie.
They will have to introduce absolute incredible stuff like that Rey is actually the reincarnation of Vader or something.
The viewer has to slug across 2 movies of nonsense to reach such still cheesy consclusion.
Or, they just would not give a crap and move on. At this point you would suggest to read the books I guess.

Compare the above with the OT. Nothing is revealed at once, but important points are conceded with good timing and there is a logical buildup. Can you tell the difference? I hope yes.

EDIT: also, what Totalwar said. Let's assume that they move on and ignore this inconsistency. There is no point in all of this. We see no struggle in Rey development from nobody. She just.. does stuff. Succeeds. No mistakes, no struggle, no big obstacles, no support from her friend. She is a badly written power fantasy.

How can you people defend this load of crap, is beyond me. Children movie? It has no epic, no struggle, no true adventure. Stuff explode and moves on the screen but we don't feel the characters. They are either a huge OOC (Finn, Poe), hamfisted (the asian girl, I really don't care enough to remember rhe name) or a sort of miss Perfect like Rey. I don't care abut these people.

This message was edited 1 time. Last update was at 2017/12/21 16:02:21


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 Kaiyanwang wrote:
 Mad Doc Grotsnik wrote:

Indeed, when asked who she is in TFA, Rey explains 'I'm a nobody'. This is confirmed now. She is literally a nobody.

Again. Rey bing a nobody is not an issue per se, quite the opposite. People just suggested she was a memory-wiped student or at least the daughter of Obi Wan or Luke because all the preposterous stuff she pulls, included improvise a mind trick or beat the student of Luke Skywalker the same day she picks up a lightsaber.
It was desperation from people part, in a way, in an attempt to make sense of something written by J.J. Abrams.
Futile.

For the rest, you are essentially answering me in the same way people answered me after TFA - the next movie will answer it. Except that for answer this and other things, they have to invert a lot of things introduced in this movie.
They will have to introduce absolute incredible stuff like that Rey is actually the reincarnation of Vader or something.
The viewer has to slug across 2 movies of nonsense to reach such still cheesy consclusion.
Or, they just would not give a crap and move on. At this point you would suggest to read the books I guess.

Compare the above with the OT. Nothing is revealed at once, but important points are conceded with good timing and there is a logical buildup. Can you tell the difference? I hope yes.


I don't think JJ is going to go against what RJ did. Wasn't he on the production anyway?

I fell all of the mysteries of TFA have been settled. We only need to ask how Rey and Co will destroy the FO. Killing Kyo and Hux seems to be the way to go. Everything else is mostly window dressing.


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I don't mind that Rey's parents are just failures who sold her. It's fine with me that her DNA is not the cause of her destiny. But I would like to know why she has this special destiny, which is a thing both TFA and TLJ tease but ultimately leave unanswered.

   
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 Totalwar1402 wrote:


I fell all of the mysteries of TFA have been settled. We only need to ask how Rey and Co will destroy the FO. Killing Kyo and Hux seems to be the way to go. Everything else is mostly window dressing.


But I don't care about the first order. Nothing about it or the resistance or the republic makes sense. There is no scope.
The movie fails on a fundamental level in transmitting the size of the galaxy and two movies are happening in a ridiculously short amount of time.
This is something often ignored. In both OT and PT, time passes between movies. This is a huge rush that does not allow to the story, the characters and the universe to breathe and adjust.

I don't care about seeing what happens because there is even lesser care from the authors, and this movie shows it.

This message was edited 1 time. Last update was at 2017/12/21 16:10:58


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 Manchu wrote:
I don't mind that Rey's parents are just failures who sold her. It's fine with me that her DNA is not the cause of her destiny. But I would like to know why she has this special destiny, which is a thing both TFA and TLJ tease but ultimately leave unanswered.


Does she have a special destiny though? She might think she does (as we all like to do), but I think part of the point is that our destiny is what we make of it, hence Luke repeating his question of "who are you?" and her whole hall of mirrors escapade. She has to find out who she I saw on her own and not rely on some destiny? Just my take.

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 BobtheInquisitor wrote:

JJ is the director who likes to fill his movies with mystery boxes. He doesn't care what's inside them.

RJ is the guy who remembers Lost and would rather burn the boxes to the ground than open them like some butt monkey.


This is my new favorite thing.

This message was edited 1 time. Last update was at 2017/12/21 16:22:44


 
   
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 LunarSol wrote:
 BobtheInquisitor wrote:

JJ is the director who likes to fill his movies with mystery boxes. He doesn't care what's inside them.

RJ is the guy who remembers Lost and would rather burn the boxes to the ground than open them like some butt monkey.


This is my new favorite thing.


So you guys are ok with the fact that these people literally did not plan or think through a whole new trilogy, and are making stuff up on the fly like a cheap tv-series?

This message was edited 1 time. Last update was at 2017/12/21 16:31:19


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 Manchu wrote:
I don't mind that Rey's parents are just failures who sold her. It's fine with me that her DNA is not the cause of her destiny. But I would like to know why she has this special destiny, which is a thing both TFA and TLJ tease but ultimately leave unanswered.

I can agree with this. The easy answer to her having a "special destiny" is by having a "DNA" connection with someone powerful in the force. It's ok not to get the easy answer, but we need AN answer
Ep VIII doesn't have to give us this answer in full, nor do I think we got the right answer yet. Ep IX does have to give us the full answer
Although Ep VIII does hint that she is the result of the force balancing for Kylo Ren

-

   
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 Manchu wrote:
I don't mind that Rey's parents are just failures who sold her. It's fine with me that her DNA is not the cause of her destiny. But I would like to know why she has this special destiny, which is a thing both TFA and TLJ tease but ultimately leave unanswered.


Because someone has to. Why not Rey? The Force is capricious.

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I actually quite liked RJ's response that Rey being nobody is more in line with why the Empire reveal is so important than revealing that she's somebody. She wants her family to be important, so any important answer is more wish fulfillment than anything. Vader's reveal in Empire is similarly definitely not what Luke wanted to hear.

And as much as Lucas likes to pretend there was a plan; the original movies flew by the seat of their pants as well. People argued that Vader couldn't be trusted after Empire and we needed an awkward ghost chat to settle the debate. Similarly, I think we can all agree that Luke and Leia being twins wasn't really in the cards when the first movie was made...
   
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 Galef wrote:
 Manchu wrote:
I don't mind that Rey's parents are just failures who sold her. It's fine with me that her DNA is not the cause of her destiny. But I would like to know why she has this special destiny, which is a thing both TFA and TLJ tease but ultimately leave unanswered.

I can agree with this. The easy answer to her having a "special destiny" is by having a "DNA" connection with someone powerful in the force. It's ok not to get the easy answer, but we need AN answer
Ep VIII doesn't have to give us this answer in full, nor do I think we got the right answer yet. Ep IX does have to give us the full answer
Although Ep VIII does hint that she is the result of the force balancing for Kylo Ren

-


See I think this forgets how family is used in Star Wars. Luke being Vaders son was not used as an excuse for why he was powerful. Yes, it can be construed that way and a lot of EU stuff states this outright. But, the primary purpose of all family bonds in Star Wars is to add that family strife and conflict into the series. Having Vader be Lukes lost father is a cool twist. Its not an explanation for his powers.

This is why making Rey an ordinary person is a problem. She does not have those family links. Kylo Ren does and as a consequence has meant he has had more of those dramatic moments because Star Wars belabors these. But Rey doesn't have that family link, so she has always felt like an outsider awkwardly squatting in this Skywalker saga. They try in the LJ to push some sort of weird, half baked romantic angle where apparently Rey cares about him all of a sudden despite him murdering his father. All very false and has none of the intimacy of a direct family link. Obviously in KoToR they had A LOT more time to build up to that with Revan and Bastila; so you can do that. But it is not well executed in TFA or the LJ because Kylo is too evil so Rey should want nothing to do with him. She can't develop any sort of feelings that wouldn't come across as insincere or forced.

Making her ordinary still leaves as this outsider who is clearly the hooded executioner of the Skywalker clan. That's pretty clearly her destiny if Kylo is the last one.

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 Mad Doc Grotsnik wrote:
 Manchu wrote:
I don't mind that Rey's parents are just failures who sold her. It's fine with me that her DNA is not the cause of her destiny. But I would like to know why she has this special destiny, which is a thing both TFA and TLJ tease but ultimately leave unanswered.


Because someone has to. Why not Rey? The Force is capricious.


Or to go one further, maybe she's just in the right place at the right time. Who's to say the 'Awakening' Snoke mentioned in TFA is a rise of a whole new generation of powerful Force users and Rey just happened to be the one that got caught up in events? Without the Jedi to monitor and collect Force-sensitive children from across the galaxy, there are probably thousands of people out there that have the same potential as Rey but never realise it.

I'd not be surprised if IX jumps forward 5 years or so and Rey have gathered a new generation of recruits to stand against Kylo and the Knights of Ren. Which would surely lead to some absolutely epic battles if nothing else, and continue the idea that as Darkness rises to ascendancy, so does the light to challenge it.

 
   
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 Mad Doc Grotsnik wrote:
 Manchu wrote:
I don't mind that Rey's parents are just failures who sold her. It's fine with me that her DNA is not the cause of her destiny. But I would like to know why she has this special destiny, which is a thing both TFA and TLJ tease but ultimately leave unanswered.


Because someone has to. Why not Rey? The Force is capricious.


Because this trilogy is the story of the Skywalker clan and the OT characters passing the torch. In a film series that has always focused on family and inter family conflict. Rey is an outsider and her role in the story is very bizarre. A Chosen One who has no links to any of the main cast. Who is central to the plot, but none of the drama.


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Okay, so I'm writing this a few hours after seeing for the first time, and having no spoilers before watching.

Wall of China-level text here, be warned.

Spoiler:
As soon as the lights came back on after the film, I kinda just sat for a bit. I wasn;t sure if I enjoyed it or not, and I think if that's my reaction, it wasn't enjoyable. Were there enjoyable moments? Yeah, 100%. But there were also moments where I'm sure I was going to get a foot through the back of the head for groaning.

Like any film I see, I try to base it on it's own merits, especially if it's a sequel. A story should be able to hold together on it's own two legs, and to it's credit, TLJ does. It's STORY and PLOT are largely fine. It's the writing and certain elements which ruin the whole thing. However, as much as I tried to see it as it's own film, watching something that's a four-parts-removed sequel is hard to not compare to the others. It simply didn't hold up to TFA at all. If someone wanted this to be retconned or rewritten, I'd probably disagree. It's not terrible, it's not the worst SW film.
In my opinion though, it's far from the best, probably on the low tier.

So, as best I can remember, I'll go through good and bad points as chronologically as I can.

The opening crawl and setting up the situation - this already gave me a sinking feeling. "The First Order is dominant" (or words to that effect). HOW? Yes, the FO destroyed what I presume to be the main "good guys" planets, but surely the government had contingencies on other worlds? Aka, in the prequels, if Coruscant was destroyed worlds like Naboo would pick up the slack? Are we saying that the ENTIRE balance of power shifted after the First Order wipe out some worlds we've never seen or cared about in a less-than-a-minute scene? AND they retain this power despite the Resistance DESTROYING Starkiller Base and what must have been a massive chunk of the First Order's power?

Again, I know people might say "this is the same as the Death Star in ANH/ESB" - I disagree. In the OT, the Empire IS the dominant force of the galaxy. We know that it commands on a galactic scale, we see this. We can see that the rebels are an underequipped REBEL militia. It stands to reason that the Empire has backups, because they're a galaxy-spanning EMPIRE. Even if their superweapon is destroyed, and this gives new Hope (heh), they can still Strike Back (heh heh). With the First Order, we don't have this. We don't know their estimated size or strength, and can't infer it, because they're not in control of anything, They become the Rebels against the government the Rebel Alliance sets up, and so even if they can pillage and develop old Empire tech,
they don't have the same influence as the Empire. Yet by calling the "good guys" the Resistance, it implies that THEY'RE the weaker ones, despite being the MAIN MILITARY FORCE IN THE GOVERNMENT. Why are THEY the underdogs? It makes no sense, and only because Disney wants the good guys to be the plucky underdogs again.
Again, that's an issue caused by TFA, and that shouldn't matter, but it really does when it creates illogical things like this.
A solution probably should have been a fix to TFA, with Poe holding plans of Starkiller Base, and telling the government worlds to evacuate, as SKB is on it's way to them. Leia mounts an outspoken urge to evacuate and we see that the government doesn't care about this - they get destroyed, and we see that Leia is only left with a few measly scraps of the military loyal to her -
a RESISTANCE against the First Order who is moving into the power vacuum. That sould VASTLY improve the setting of which TLJ takes place in.
However, that's mostly an issue with TFA, not TLJ, but still affects it.
Moving on.

The first space battle. Oh no. Again, having the rebels evacuating is a nice tension builder, and seeing the Star Destroyers jump into space around them is nice and imposing. The Dreadnaught looked awesome, and you see that the Resistance is going to have a hard fight on their hands. And then... one fighter essentially cripples the Dreadnaught. Yes, Poe's a crack pilot, and I wouldn't doubt that, but ONE fighter taking out every gun on the Dreadnought? That's frankly embarrassing to watch. Poe's making these little quips to Hux, their little "can you hear me?
I can hear you" gag made me want to myself. I have no idea why Hux didn't blow Poe out of the sky, or why fighters weren't scrambled as soon as he came into range or ANYTHING? Why does the Dreadnought have point-defence weaponry capable of taking out fighters? Why don't the Star Destroyers actually do something instead of looking like melons as the Dreadnought gets torn to pieces? The bombers are cool, and I can get around the whole "how did the bombs drop" question, it's not too illogical to assume there's a gravity generator inside the ship. The thing that took me out was the bomb doors opening, and there being nothing stopping the asian bomber woman being sucked into the void. Like, you could have just shown us a void shield on the bottom? Something other than an open, empty hole into space?

And then ONE bomber takes out the whole Dreadnought. What?! SERIOUSLY? I hated that. Like, that's all it takes? One single bomber to take out the Dreadnaught, and then some? And the First Order is supposed to be the powerhouse of the galaxy? Again, Star Destroyers do nothing throughout the scene. They're useless.
Yes, I understand the scene is there to show Poe's glory-hunting nature, but it could have been written far better.

Solution: As per film up until Poe's ship appears. Replace Dreadnaught with Snoke's ship (purely so we can be introduced to Snoke earlier, and we have less names and things to throw around -
condensing the film. Poe isn't alone, and in piloting stolen TIE's (or not). Have them be broadcasting FO codes, and making out like they're FO prisoners of the Resistance fleeing back. Maybe have the Rebels firing at them (fake). They get close enough before either the FO realises the codes are fake (which can then set up the need for a codebreaker later, as we know the codes aren't valid now), or they don't care about their prisoners (cementing their evilness). Poe and co get close enough where they can then disable the Dreadnaught's weapon batteries (need to have multiple fighters here!), and then have the bombers. Instead of having a bomber succeed in dropping it's payload, we have multiple actually succeed, with the one we follow being the one to cripple the guns which were about to destroy the fleet. Meanwhile, the Star Destroyers should be engaging the fleeing fleet, destroying vessels, and giving further reason why Poe's attack wasn't good. Snoke's ship/Dreadnaught ISN'T destroyed, but can't shoot, and is instead following behind in the space chase.

Next thing - Rey's training. I actually really liked Luke throughout. Hamill gave a real energy and spirit to Luke, and I really enjoyed his arc. Rey too, although I'd maybe have liked a bit more training montages between her and Luke, so we get to see her grow as a force user and combatant in time for her to face off against the royal red guards. It felt a little too quick how she mastered things, but it wasn't as bad as it felt in TFA.
Luke wanting to die but having a map lead to him... eh. Not quite fitting - perhaps he never made the map. Maybe it was R2 who made the map, and wanted to find Luke, but couldn't access a complete map to do it - trying to find Luke against Luke's will or knowledge.
Porgs... I actually really liked them. I thought I'd hate them, but seeing them nesting and living natively was really nice to see, giving a REAL feel for the place. Chewie eating one and their reaction was one of the only funny comic reliefs for me. Kinda wished Luke and Chewie had more time together, seeing as they WERE friends and mutual friends of Han. R2 as well being the one to call Luke into action with a callout to the original was cheap, yes, but I thought it was good. Really, the whole of Luke's arc was great, and I also liked the Rey/Kylo arcs too (but not without flaw, I'll come to them later).

Kylo seeing Snoke was pretty good. I liked the guards, they looked pretty swell (probably should have had eye-lenses though). Snoke was well acted, and his treatment of Kylo was pretty entertaining. Calling him out as a kid in a mask, and how he mocks Kylo for being Darth Vader in all the wrong ways was fun, considering it was a real issue people had with Kylo from a meta level. It was good to see that addressed, and Kylo really not being able to stand up to Snoke. I just wish they'd given us more to Snoke. HOW he came into this position, WHY people listen to him, something like that. The Emperor works because his name (Emperor) told us that he was just that - the leader of the Empire. We'd been introduced to the Empire for two films now, we knew their control over the galaxy, so their leader would have to be a real evil bastard. The Emperor also shows his power without even doing anything - because of the reaction other people have to him. Vader, who we learn to fear and see as ultimate evil for two films, KNEELS to him. That's enough to show his power before he even says anything.
Snoke just sort of IS. Just some minor backstory, as to how he came into power, what the First Order see him as - and it would be fine to see Snoke as this arrogant, self-assured figure who does really know nothing of the force the way the Emperor or Luke does. Pretending just as much as Kylo is. Unfortunately, we get none of that.

The second space battle was better, I thought. I think they should have had a better way to explain the tracking through hyperspace, seeing as we've seen it all before. There shouldn't be need for surprise from Leia. Solution: perhaps DJ was a merc the Resistance had hired, and he was aboard their ship and feeding co-ordinates to the FO. Maybe Leia's beacon was the issue, and there's a conflict whether to shut it off and escape, leaving Rey behind (leading Finn/Rose to suggest tampering with their tracking tech). Again, the predicament the Resistance was in was fine, being forced to flee, bleeding fuel as they kept jumping ship to ship. Also, Kylo showing his true colours not firing at the bridge was good.
Leia's little spacewalk was very bad. Like, I thought that it would have been fine to end her character there. It made sense, and could even be the catalyst for Kylo betraying Snoke and Luke joining the fight. In fact, I would have been fine with Leia SURVIVING, say, her force precog tells her to get out of the bridge just in time. But flying back in through space was stupid. Come on Disney. You're better than that.

Vice-Admiral Holdo was okay. We're prediposed against her through Poe (who really should have known who she was beforehand anyway - no need to his "so that's Vice-Admiral Holdo etc etc"), and all along she's been doing Leia's plan. However, my issues with her, and most of the Resistance arc - complete lack of logic and manufactured conflict.
"So, what's the plan?"
"You're a flyboy. You like breaking the rules. We'll have fun."
"What? Okay, what's the plan?"
"*not telling the plan, or not saying that she's just doing Leia's plan*"
"You've got no plan? What the feth?"
"Get off my bridge."
"Sure, I'll get off your bridge, and sanction a mission that will eventually cause massive losses amongst the fleeing ships!"

Why does Holdo not tell Poe? They have people guarding the ships out of the vessel, so they'd know if he betrayed them. He's one of Leia's trusted commanders (even if demoted), and is less likely to do something rash if they're just following Leia's plan. Artificially manufactured conflict, and that's not good.

The Finn/Rose relationship. It wasn't THAT bad. We already see her admiration of him, and her crisis of faith when he attempts to flee (which is in character for him. Although stupid - where does Finn plan on going in an escape pod? The FO? Nope - he'd be slaughtered. There's only one planet below, and if he could have escaped there now, why wouldn't the rest of the Resistance have enacted the plan of fleeing there?). They could have had their relationship arc grown a bit better, with some better writing, but I don't think it was THAT bad. However, the technobabble I really struggled to understand. They spoke so fast, seeming to have an omniscient knowledge of hyperspace tracking, even when everyone else was super surprised, cutting eachother off, and stuff like that. Again, they knew too much compared to what we'd seen everyone else know, and they didn't really explain it well at all. Again, I think that having a different conflict could have worked instead of the Kanto Bight bit.

Speaking of that - if Finn/Rose can reach Kanto Bight, and can probably hold, what four/five people on board, why don't they just ferry people out from the fleeing fleet, in a race against time to get as many people off before they run out of fuel? Or, they need to find willing pilots or reach the other Resistance bases so they can get people to come and evacuate people from the cruiser. This would have been a fun way to introduce DJ alternatively as a smuggler (a la Han) who needed persuading to evacuate the Resistance.
Of course, none of this would have been needed if Holdo had said what her plan was.

Rey and Kylo's bonding was quite good, actually. I didn't mind the Kylo being shirtless - he's got to be shirtless at some time, and it probably humanises him some more to Rey, who gets to see him under the robes and see that he's a damaged scarred boy at heart, scars that he's added to. Her respect/sympathy for him needs to grow more too. Her first two reactions are completely believable, blind hatred for someone who's murdered your father figure. However, her sympathy needs to have grown more, and we don't see that. Adam Driver was really good - I enjoyed seeing his portrayal of Kylo, and his own conflict. I felt that Luke's confession and failure of Kylo was completely in character for him - he was so afraid of creating the darkness he fought to destroy that he gave in to a moment's weakness, which was the crack that opened Kylo up to the darkness itself. If Kylo hadn't actually had ANY darkness in him that Luke could see, and it was all an illusion by Snoke, that would have been even better, IMO.

Kanto Bight - ugh. Not good. Manufactured conflict (why did Finn/Rose not listen when the patron told them not to park on the beach? Stupidity that they really should have known about what with Rose knowing how brutal the place really is). I felt the jabs at war profiteering and casinos seemed like a bit of a jab towards the current American administration, but that may be me just jumping at shadows; that's not a complaint, I may add - just an observation.
The breakout was lazy, to be honest. Not closing the grates, manipulating a slave into being an accessory to their escape, especially when they'll probably be brutally beaten or punished afterward for doing it, little real character building between Rose/Finn. All a bit of a dead-end, and whilst having characters fail can be good, it only is when it adds to the story. I don't feel like this did.
I liked DJ and his character. I felt he turned a bit "evil bc lolz" at the end - but his outlook ("be free. don't follow") was something that I hoped would have more impact on Finn, a nearly triple deserter, and the fact that the X-Wing and TIE were created by the same person was convenient, but that was fine by me.

Yoda was fun to see again, I think I would have preferred if Luke had gone and burned the tree himself, without Yoda needing to do it, and he explains to Yoda why, with Yoda agreeing. Give Luke a little more agency and control, but ultimately minor.

Rey going back and getting captured by the FO was a bit confusing, and if someone wants to explain it, I'd be fine with that: was she expecting to meet Kylo peacefully, and he betrayed her and shackled her? Was she planning on sneaking aboard the flagship? Just want some explanation. Again, Falcon flies off and is never seen until needed for the plot.

The sneaking aboard wasn't too bad, the evil BB-8 was good to see - I might have liked a droid battle between evil BB-8 and actual BB-8. Again, Phasma was wasted. Not explanation of how she's back - we're just kinda supposed to be invested in her, but we don't really have a reason to. She does pretty much nothing. Dies without really doing anything. I also fail to see how the laser guillotine things were supposed to be more painful than a blaster execution, but Phasma chooses them anyway.
Again, similar complaint with DJ knowing that the rebels are evacuating to the planet - they couldn't see the ships fleeing anyway? They never bothered to look? How did DJ know in the first place? How did Finn/Rey know - I don't remember them knowing.

The mutiny on the rebellion cruiser wasn't massively wrong, ignoring that Holdo again never mentioned it being Leia's plan. Leia waking and stunning Poe was pretty good, showing that he is wrong, and proving his arc needs finishing. To keep this, I'd have had Holdo saying throughout that it was Leia's plan, but Poe disbelieving, and doing his mutiny, only to have Leia prove him wrong. Using the cruiser a a lightspeed weapon though? Not really okay. The shot was AWESOME - it looked brilliant, the lack of sound really hammered it in, but the issue is the implications of it - people can weaponise lightspeed, why has no-one thought to weaponise X-Wings in such a way? Why not those bombers earlier? Hell, fit a lightspeed engine to a rock and hurl it at the Starkiller Base/Death Star/Resistance planet. They can't be lacking lightspeed engines, because fighters like X-Wings and Y-Wings have them.
Could have been fixed by the cruiser moving to block the refugees with it's own body, and ramming conventionally - wouldn't be the first time (see Star Wars Rebels).
Again, could have been a good send-off for Leia here, with her perhaps being critically wounded from the bridge assault, and stunning Holdo and putting her on the shuttle outbound. However, seeing as I don't know how much of this was done with Carrie before her untimely departure (rest in peace), I don't know how feasible it would have been.

The Snoke/Rey/Kylo scene was great, like most scenes with Kylo. Kylo's killing of Snoke was inventive, even with Snoke showing his massive arrogance and self-assuredness. The ease of Snoke's force powers was good to see, casually manipulating everyone to his whim. Certain issues I had were the little magnifying glass thing, which just happened to be facing the fleeing transport ships and Snoke dying too early (wasted potential), but it was a good scene. The fight with the guards was good, really embracing the brutality of lightsaber combat. I liked seeing that.
Rey's parents being nobodies was perfect. I didn't want her to be related to anyone powerful, just her own innate force abilities made her good - not lineage. Seeing that was great. I liked how Kylo almost had to beg her to join him, and Rey was the one who reached for the lightsaber first. Of course, the breaking of the lightsaber probably should have caused Kylo to pause when he sees Luke wielding it, but hey. Small things.

The battle on Crait wasn't quite okay. The speeders shouldn't have gotten anywhere NEAR the Battering Ram Cannon (come on, think of a better name?! Also, whilst I have no issues with the miniaturised Death Star tech, why isn't it mounted on a ship at all?), and Rose saving Finn was stupid. There should have been a malfunction of the speeder, or they were just scattered by AT-AT fire. Plus, no-one shot at them after Rose crashes into Finn - kinda like they were just forgotten, and somehow got back in to the base. I'm not really sure what the crystal cats served either, beyond a Deus-Ex at the end. It would have been better if there was a race against time with them finding the blocked exit, but struggling to move it - Rey then opens it with the force (she could even have been with the main group, I don't know).

Luke showing up and being blasted to hell was good. Seeing badass Luke was good. The fight between Kylo and Luke (minus the slo-mo) was very entertaining, and Luke's taunt to Kylo was glorious. No complaints really. Luke's death too - a good culmination to his character.

The ending seemed a little bit too hopeful, and pandering to the audience, but that's just me - it was quite nice to see the kids playing with makeshift toys of the characters though.

In general, the themes were fine, the plot and general direction were good - just the writing ruined it. Comic relief when it wasn't needed (General Hux vs Poe, some of the one-liners etc etc), certain manufactured conflicts (Holdo) and certain simply stupid things (flying through space and the bomber taking out the Dreadnaught alone and the lightspeed weaponisation) all made it unenjoying for me. If you did enjoy it, that's great! I just wasn't for me. I personally do rate it lower than average, higher than Episodes 1+2, but worse than 3.

I disagree with people complaining about pandering to SJWs - it didn't really leap out at me at all. Rey wasn't quite as Mary Sue as I saw her in TFA, but still could have been a little more subdued, or had more training.

Overall, I'll probably see it again, but more out of coincidence than desire to. I'll still see the 3rd film in this trilogy, and hopefully they manage to get it right. If I HAD to rate it out of 10, I'd give it a 4 (which isn't THAT bad.)






I still like the Porgs.


That was longer than I expected.


They/them

 
   
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 Sgt_Smudge wrote:
Okay, so I'm writing this a few hours after seeing for the first time, and having no spoilers before watching.

Wall of China-level text here, be warned.



That was longer than I expected.


Its really bizarre given how much flak they got for Rey having all these abilities without any training to then have Yoda say that her training is complete after Luke refused to train her. I mean its going to look extremely bizarre if in episode 9 we have Rey training Jedi how to use Lightsabers when she just picked one up and hit Jedi Master level.

Which completely runs counter to the martial arts/Samurai film genre. I mean it is very hard to take seriously when even Rebels, a kids TV show gets that people need to be taught by somebody who knows what they are doing. I mean why does our role models philosophy have to be "I don't try. I don't practice. I don't train. But I win all the time." In any other film this would be blasted as overconfidence and ignorance of youth that would lead to failure.


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AdmiralHalsey wrote:
I'm sure this is a fine movie is you suspend disbelief, don't ask any questions, blindly accept things are perfectly likely and reasonable to happen because they did happen and don't challenge those ascertations, and enjoy excellent cinematography and graphics.

For me, personally, the glaring stupidity demonstrated by many of the characters particularly General Hux and friends, but to a lesser degree the rebels, and even Luke Skywalker, really ruined what could have been a good film.

I don't like my cinema stories to hang on the premise that everyone is a moron, and the plot to only continue to work as long as everyone continues to be a moron, and or, massive co-incidences hang everything together.

There wasn't anything not Starwarsy about it, it was just very badly written and thought out, and given the budget, that's a huge same. So many of the things that are wrong with this film could have been fixed by having one person go through the script asking sensible questions like,

'Well what are the Star Destroyers doing here?'
'Why doesn't anyone do X?'
'Does this part really make sense?'
'What's this characters actual moviation to do this?'
'I can see what kind of scene you want to shoot here, but couldn't we have a better reason for this to happen?'


Sure there were things that weren't Star Warsy. A technobabble problem with a technobabble solution is a Star Trek thing. A desperate chase with casino planet side quest is from oBSG. The good guys are also bad guys is out of nBSG and every other crappy drama since 2000. "This mystery box is crucial to understanding the characters' growth. Forget the mystery box because it isn't important." Lost.

The way the fleets were deployed, the technology worked, the people acted, the context, many particulars of the setting--not in line with the OT.

   
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 Totalwar1402 wrote:


Its really bizarre given how much flak they got for Rey having all these abilities without any training to then have Yoda say that her training is complete after Luke refused to train her. I mean its going to look extremely bizarre if in episode 9 we have Rey training Jedi how to use Lightsabers when she just picked one up and hit Jedi Master level.

Which completely runs counter to the martial arts/Samurai film genre. I mean it is very hard to take seriously when even Rebels, a kids TV show gets that people need to be taught by somebody who knows what they are doing. I mean why does our role models philosophy have to be "I don't try. I don't practice. I don't train. But I win all the time." In any other film this would be blasted as overconfidence and ignorance of youth that would lead to failure.


Because both Yoda and Luke realise that ultimately, a connection to the Force (which Luke helps her with), some personal wisdom and a heart that's in the right place (which Rey has already demonstrated) is more important that a few thousand years of convoluted and outdated dogma and rules that comes packaged with traditional Jedi teachings.

They are trusting Rey, and just as crucially trusting The Force, which as Luke acknowledges does not, and never did, belong to the Jedi.

This message was edited 1 time. Last update was at 2017/12/21 17:11:53


 
   
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Fort Campbell

Getting a bit away from the Rey discussion, I haven't seen to anyone else mention this, but did anyone catch at the ending, that slave boy who used the Force to pull the broom to him?

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I'd need to see it again to be sure, but I think that may have been just the angle. Certainly it's implied, as is the fact the final shot of the broom resembles a lightsaber hilt, but I think the message there is more 'there are still people out there who dream of being a Jedi' than 'this particular boy can use the Force and is a potential Jedi'.


I'll keep an eye out in the next viewing though.

 
   
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 Paradigm wrote:
I'd need to see it again to be sure, but I think that may have been just the angle. Certainly it's implied, as is the fact the final shot of the broom resembles a lightsaber hilt, but I think the message there is more 'there are still people out there who dream of being a Jedi' than 'this particular boy can use the Force and is a potential Jedi'.


I'll keep an eye out in the next viewing though.


It was very quick, and I wasn't 100% sure of it myself, but I think it seemed to fit with the whole hope thing that was going on at the time

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Oh no, there was definitely a force pull.

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 Kaiyanwang wrote:
 LunarSol wrote:
 BobtheInquisitor wrote:

JJ is the director who likes to fill his movies with mystery boxes. He doesn't care what's inside them.

RJ is the guy who remembers Lost and would rather burn the boxes to the ground than open them like some butt monkey.


This is my new favorite thing.


So you guys are ok with the fact that these people literally did not plan or think through a whole new trilogy, and are making stuff up on the fly like a cheap tv-series?



What makes you think we're okay with it? Pretty sure the quoted text implies the opposite.

   
 
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