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		<title><![CDATA[Latest posts for the thread "Top 5 P&M 'Discoveries'"]]></title>
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				<title>Top 5 P&amp;M 'Discoveries'</title>
				<description><![CDATA[ I can kind of define jumps of improvement in my painting through big 'discoveries' I have made and thought it would be interesting/useful to share and see if we can pick up anything new. <br /> <br /> My top 5 are (in no order!):<br /> <br /> 1) Thinning paints<br /> 2) Working out that mixing up to white rather than using standard colours is actually good for most (though not all be any means) highlights<br /> 3) Using rapid cure to help superglue bond (this is prolly my number one ever!)<br /> 4) Using lots of thin layers (15+) to build up a gradual colour transition<br /> 5) The absolute, absolute importance of how to load paint on a brush for different tasks (this is also fighting for number 1 spot!)<br /> <br /> ANyone else?]]></description>
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				<pubDate><![CDATA[Wed, 18 Feb 2009 22:47:42]]> GMT</pubDate>
				<author><![CDATA[ WingWong]]></author>
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				<title>Top 5 P&amp;M 'Discoveries'</title>
				<description><![CDATA[ I would say getting to grips with colour theory is more important than 2 but 1 and 5 are monsters. 15+ layers is a bit excessive as thining the paint should help create a natural blend but i would deffinately go with 5+ when painting a centre peice, <span class="glossaryitem" onmouseover='gp(56);'>HQ</span>, etc you want to stand out.]]></description>
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				<pubDate><![CDATA[Thu, 19 Feb 2009 18:10:31]]> GMT</pubDate>
				<author><![CDATA[ Mighty Moj]]></author>
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