oadie wrote:I know what you mean, Kevv6, and I kind of get the same sense. My biggest gripe isn't the freehand Henners mentioned (although I agree), it's the bomb, itself - the shape makes no sense to me (not enough stabilization to be a rocket, but why the extended nozzle-like cone in the back if it's to be dropped?) and its treatment (both build and paintjob) seems a tad simplistic for such an important feature (the bomb is what makes sense out of the models' poses). The piece still has a lot going for it, don't get me wrong, but for me the compositional issue hold it back more than the level of painting.