JoshInJapan wrote:
Exki: I like the way you really leaned into the lighting, with one whole side of the model in shadow. I have never achieved that effect in a satisfying way.
Thank you JoshInJapan! Atmosphere was definitely something I tried to focus on. Glad it worked out
CancelledApocalypse wrote:
Ezki - Absolutely fantastic piece, and my favourite of the month by far. Beautiful use of light and shadow, the OSL is great . The only thing I can find to criticise negatively is the lighting on the fingers of the left hand - it's a little too strong. From the position they're in, direct light from the flame should mostly be blocked by the flared end of the staff and the nobbly portrusions just below the fingers. There would be a bit of bounce light from the floor, her thighs and the loin cloth/dress fabric, but that would result in a much less strong yellow on the fingers - unless the fingers are glowing themselves, in which case there should be some OSL on the staff itself, around her fingers. But, other than that tiny downside, this is far and away the best paintjob of the month, imo.
Thank you so much CancelledApocalypse!
Nothing negative about criticizing. I'm happy to hear what I can do to improve!
Your notion is absolutely right. The fingers kind of look like... carrots? Something that I will definitely fix if I'm to take this model to another competition in the future. Thanks!
CancelledApocalypse wrote:Thanks Ezki, I'm pretty proud of this one, though as time has gone on I'm seeing more and more things I think I could have done better. I'm going to have to bite the bullet and learn to do proper nmm on armour, I'm at the point where I'm pretty confident doing it on blades. I just know it'll take a ton more time, so I'm reluctant to do it at the moment - especially as I'm always rushing to finish at the end of a month.
NMM definitely takes time and I totally understand. I'm usually in the same boat, rushing to finish the final steps haha!
XvArcanevX wrote:
Thanks for the feedback and comments Ezki. I know what you mean regarding the angles on the pics. Truth is, this mini has a lot of different surfaces, with a lot of different tones and textures, that are all obscured or out of view depending on how you view it. For instance, and most obviously, the skin is actually a tiny part of the figure obscured by the tree bark, spear, hair and helmet. The beetle wings are brighter on the back due to being somewhat in the background/underside of the figure when viewed from the front, so I didn’t push the contrast as far at that angle. So on and so forth.
It was a challenging thing, but then in truth I find every mini kind of challenging, haha. At some point though I just tune into a look and go for it. Enjoying the process is key for me.
Anyway, love your entry, I always think you achieve buttery smooth blends/glazes and I think you excel with skintones. I really enjoyed the OSL and thought it added a lot of atmosphere to your entry.
I can’t say I’m familiar with the artist you mentioned. On the topic, that gives me an idea for a thread! Recommended miniature artists for viewing etc
Enjoying the process is what really matters! Something I forget way too often.
Thank you for your words. I'm glad you think that the skin tones work, as it's one of the most uncomfortable subjects for me. I'm way too obsessed with the smoothness that I lose track of what I'm actually trying to achieve and eventually making a mess of everything. Then I go back and forth mixing the mistakes, until I get too frustrated. Then, on the next day, I might come back to it and it does not look that bad haha. To be honest, the camera smoothens the skin quite a bit. Especially the face is quite rough in reality.
Glad you like it though!
See you in the next one!