Hey all, I wasn't sure whether to put this here or in the background forum.
Something has been bugging me about Black Library fiction, as I've read a fair amount of it this last year. I've read the Ultramarines Omnibus, the Ravenor Omnibus, Horus Heresy 1-3, Kill Team, and I also have read the various bits in codices and army books. Now, excepting the army books and codices, because they are not designed as novels, I've come to the conclusion that Black Library fiction (or at least the ones that I've read) suffer from being overly 'hasty'. By this, I mean that they don't devote enough time to developing things, and thus seem to rush from one combat to the next with the barest indication of the consequences or results of earlier plot points. For example, in the third Ravenor book, two characters have a falling out over religion - one cannot accept that the other has committed a particular sin and terminates their relationship as a result. This is given a singular paragraph of analysis and development. Horus' fall in the Heresy series seemed incredibly swiftly dealt with, giving me plot whiplash at the all-too rapid brushing over of what should have been the absolute core of the series. In the second Ultramarines book, there are many examples of ordinary people trying to survive a Tyranid invasion. But take all the collected snippets of any given person's viewpoint, and they would add up to no more than five pages, an insufficient amount to develop their character and response to the events. This effect was most noticeable in the third Ravenor book, since it is the conclusion of that trilogy and responsible for tying up plot threads. It seems to me, and YMMV, that Black Library doesn't allow a page count that lends to proper development of a theme or characterisation.
Now, obviously we are talking about 40k fiction, which is always going to be a pulp genre; but I've read the Raymond Chandler books and they manage it just fine while being pulp. And, also obviously, 40k fiction is going to have a certain high proportion of gunfights and the like, draining the page count that can be used for other purposes. So that explains why 40k novels often seem to have very little actual plot in them (just like computer game plots are typically wafer-thin). But it seems a poor exchange, to get so many words devoted to Harlon Nayl blowing someone's head off, or Ventris punching a PDF trooper in the chest, but so few used to actually make the novel a good piece of fiction. It is usually a sign that something is going to be poor quality when it focuses heavily on fights or sex (this goes for films, books and other mediums) - but there are examples of works that focus on one or the other and still manage to be excellent (Fight Club, The Three Musketeers).
I considered that I may have read too few to get a proper opinion, but I've read a fairly large number of books by now, including the quite good Gaunt's Ghosts, and so it seems to me that I've probably gotten the measure of it by now. So I was wondering if I'm the only one who thinks like this. Am I alone in wishing that Black Library authors would try to devote just a few more words to developing plots, themes and characters, and thus seem less 'hasty'?
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