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Made in ca
Mechanized Halqa






I am trying to paint a few infinity models and I was wondering how do you paint the blue armor on those panoceania models?

Example:


 
   
Made in au
PanOceaniac Hacking Specialist Sergeant




Lake Macquarie, NSW

The painter has a blog, sometimes he tells people what paints he used. This one's from the hospitaller:

Angel Giraldez wrote:basecoat: prussian blue + field blue + hull red
light 1: field blue
light 2. dark sand
light 3: white
shadow: prussian blue dark, black


I'm assuming the red is applied as a sort of super-thin glaze.

"Going to war without France is like going deer hunting without your accordion."
-Norman Schwartzkopf

W-L-D: 0-0-0. UNDEFEATED 
   
Made in ca
Mechanized Halqa






 Dheneb wrote:
The painter has a blog, sometimes he tells people what paints he used. This one's from the hospitaller:

Angel Giraldez wrote:basecoat: prussian blue + field blue + hull red
light 1: field blue
light 2. dark sand
light 3: white
shadow: prussian blue dark, black


I'm assuming the red is applied as a sort of super-thin glaze.


I have trouble understanding how you highlight using dark sand and white.


 
   
Made in us
Powerful Orc Big'Un





Somewhere in the steamy jungles of the south...

 MRPYM wrote:
 Dheneb wrote:
The painter has a blog, sometimes he tells people what paints he used. This one's from the hospitaller:

Angel Giraldez wrote:basecoat: prussian blue + field blue + hull red
light 1: field blue
light 2. dark sand
light 3: white
shadow: prussian blue dark, black


I'm assuming the red is applied as a sort of super-thin glaze.


I have trouble understanding how you highlight using dark sand and white.


When he talks about highlighting, each color represents the terminating point for that layer of highlight. For example, when doing highlight 1, he mixes the basecoat with field blue and gradually blends up to pure field blue. Then he does the same for highlight 2, but with the final color being dark sand. And again, the same thing for the 3rd highlight.

And for anyone wondering, all the colors he lists for the basecoat are mixed together into one color. I really wish he gave the ratios.

~Tim?

   
Made in gb
The Daemon Possessing Fulgrim's Body





Devon, UK

It's weird, I don't have many problems with 40K scale models, I'm a long way from a Slayer Sword, but I can turn out decent to high quality tabletop, and every so often, when the planets align, I can turn out something that makes me think I could get good at this with a few more years of practice under my belt.

Put an Infinity scale mini in front of me, at the slightly smaller, more proportionate scale, and I turn back into a near novice again!

Doesn't help that the fether who paints the studio minis is so irritatingly good at it too!

We find comfort among those who agree with us - growth among those who don't. - Frank Howard Clark

The wise man doubts often, and changes his mind; the fool is obstinate, and doubts not; he knows all things but his own ignorance.

The correct statement of individual rights is that everyone has the right to an opinion, but crucially, that opinion can be roundly ignored and even made fun of, particularly if it is demonstrably nonsense!” Professor Brian Cox

Ask me about
Barnstaple Slayers Club 
   
Made in ca
Mechanized Halqa






 Some_Call_Me_Tim? wrote:
 MRPYM wrote:
 Dheneb wrote:
The painter has a blog, sometimes he tells people what paints he used. This one's from the hospitaller:

Angel Giraldez wrote:basecoat: prussian blue + field blue + hull red
light 1: field blue
light 2. dark sand
light 3: white
shadow: prussian blue dark, black


I'm assuming the red is applied as a sort of super-thin glaze.


I have trouble understanding how you highlight using dark sand and white.


When he talks about highlighting, each color represents the terminating point for that layer of highlight. For example, when doing highlight 1, he mixes the basecoat with field blue and gradually blends up to pure field blue. Then he does the same for highlight 2, but with the final color being dark sand. And again, the same thing for the 3rd highlight.

And for anyone wondering, all the colors he lists for the basecoat are mixed together into one color. I really wish he gave the ratios.

~Tim?


I guess its useless for me to try this then, I am not good at blending colors. I thought I could just layer the paints and highlight them but it sounds like it would look terrible.


 
   
Made in us
Powerful Orc Big'Un





Somewhere in the steamy jungles of the south...

 MRPYM wrote:
 Some_Call_Me_Tim? wrote:
 MRPYM wrote:
 Dheneb wrote:
The painter has a blog, sometimes he tells people what paints he used. This one's from the hospitaller:

Angel Giraldez wrote:basecoat: prussian blue + field blue + hull red
light 1: field blue
light 2. dark sand
light 3: white
shadow: prussian blue dark, black


I'm assuming the red is applied as a sort of super-thin glaze.


I have trouble understanding how you highlight using dark sand and white.


When he talks about highlighting, each color represents the terminating point for that layer of highlight. For example, when doing highlight 1, he mixes the basecoat with field blue and gradually blends up to pure field blue. Then he does the same for highlight 2, but with the final color being dark sand. And again, the same thing for the 3rd highlight.

And for anyone wondering, all the colors he lists for the basecoat are mixed together into one color. I really wish he gave the ratios.

~Tim?


I guess its useless for me to try this then, I am not good at blending colors. I thought I could just layer the paints and highlight them but it sounds like it would look terrible.


Hey, you only get better through trying! I say you should do it and use it as a learning experience.

~Tim?

   
Made in se
Civil War Re-enactor





 Some_Call_Me_Tim? wrote:
 MRPYM wrote:
 Some_Call_Me_Tim? wrote:
 MRPYM wrote:
 Dheneb wrote:
The painter has a blog, sometimes he tells people what paints he used. This one's from the hospitaller:

Angel Giraldez wrote:basecoat: prussian blue + field blue + hull red
light 1: field blue
light 2. dark sand
light 3: white
shadow: prussian blue dark, black


I'm assuming the red is applied as a sort of super-thin glaze.


I have trouble understanding how you highlight using dark sand and white.


When he talks about highlighting, each color represents the terminating point for that layer of highlight. For example, when doing highlight 1, he mixes the basecoat with field blue and gradually blends up to pure field blue. Then he does the same for highlight 2, but with the final color being dark sand. And again, the same thing for the 3rd highlight.

And for anyone wondering, all the colors he lists for the basecoat are mixed together into one color. I really wish he gave the ratios.

~Tim?


I guess its useless for me to try this then, I am not good at blending colors. I thought I could just layer the paints and highlight them but it sounds like it would look terrible.


Hey, you only get better through trying! I say you should do it and use it as a learning experience.

~Tim?

A hundred times this. Practice, practice and practice.

Shotgun wrote:
I don't think I will ever understand the mentality of people that feel the need to record and post their butthurt on the interwebs.
 
   
Made in us
Regular Dakkanaut





And if you don't like the result, strip it down and do it again!
   
 
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