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What do you think of the airbrush craze?  [RSS] Share on facebook Share on Twitter Submit to Reddit
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Poll
What is your opinion on models that seem to be exclusively airbrushed?
I love them! From the intense shading to the lighting effects, they are great!
I think they are good. Nothing I would pay for, but I do like how they look.
I have no strong feelings about them. Just another model to me.
I don't like them. They seem lazy/poorly painted/incorrect lightning/etc.
I hate them! When I see a person use them, I want to follow them home, smash their models with a hammer, then throw their airbrush and air compressor against the wall!

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Made in us
Dakka Veteran




Miles City, MT

I like airbrushing as a whole. I just don't like pure airbrushed models. I see the airbrush as a tool to get certain stages done faster and get effects that you can't get (or at least not well) with a regular brush. I think the time you save with an airbrush should then be used for some regular brush techniques. Also some people get carried away with the airbrush and do too much with it or go too extreme with the techniques. Sometimes subtle is better. It all comes down to knowing how to balance things and to be willing to do the regular brush work as well. The best looking models use not just airbrush, but the entire toolkit of techniques.
Made in us
Dakka Veteran




Miles City, MT

 The_Inquisitor wrote:
I'm a lurker on dakka, not a poster, but I had to spill some virtual ink in response to this thread. I will share, said by someone that has been involved in art, scale modeling for most of my life and wargaming for multiple decades. I wanted to say something on the subject as someone who *actually uses* airbrushes extensively in my art/modeling, throughout the entire process, not only to 'blast' paint onto a model.

First an observation re: the poll: The poll is incredibly skewed to favor the clear bias of the OP (that became apparent throughout the discussion); hence I didn't vote. There is no where NEAR the spectrum of options there should be. 4/5 of the options clearly represent the type of myopic vision that has been pervasive in this little world of wargaming for decades. Even the "I think they are good" was followed up by "nothing I would pay for."

Second, I echo the sentiments of those who have been around long enough to have seen the response to other "technological innovations" that have been thrust upon the wargaming community as a whole. Whether it's drybrushing, washes, using inks, etc. etc. etc. it doesn't matter- it's always been the same. I never cease to be amazed by these reactions. But I think it's reflective again of the myopic view of many in this community, and their individual judgement of what it means to be a painter, hobbyist, modeler, wargamer, and what is 'right' about how you do it.

So, when I hear people say things like 'its cheating, you can do things faster/better than I can... it doesn't represent skills with a brush... What I believe is actually being said is. 'hey, I paint this way, and get these effects and with my limited set of tools, it takes some skill. Since you are not doing it my way, but using some short cut, you are effecively 'cheating' to get the same outcome.'"

However, art/hobby/modeling, etc. is not akin to playing chess, where there are a limited set of objectives and rules that you play by, and if you don't you are 'cheating'. I'm not sure if this is more pronounced in the wargaming world because most of the time, there's this pervasive overarching meta of 'playing a game' with everything, thus you have to play by some sort of rules (<<< this is just conjecture folks... don't get your proverbial shorts in a knot...). But you just don't see this in other modeling/art worlds.

In fact, in the modeling world, the idea is to get the best outcomes with the least amount of energy. You are hailed as brilliant for doing this if you can. In the wargaming community? Heckled as a heretic and unclean/unwashed, because you are doing something different that some sort of predefined 'rules' that apparently everyone has agreed to, but in reality no one has nor could ever define. Just amazing to sit and think about, actually.

Third, for everyone who has thought at all that airbrushing is cheating... Prove it. Show me how it's cheating... can you?

I have a challenge for you: let's meet up. I'll give you all the equipment I use, and I'd like you to show me how you 'cheat.'

I've done this when I demo airbrushing. I love the look on people's faces when I hand them the brush, then they commence to look like a toddler trying to ride a 2 wheeler for the first time. It makes me chuckle EVERY. TIME. when some pedantic prig of a painter says something like this, then tries to airbrush. They can't do it, they get rudimentary outcomes at best or they screw up the project. They can't control the paint, can't control the brush, can't control the air. Can't paint over time without spatter, drying, clogging, etc. etc. etc. Their models look like crap. They do usually 1 of two things: they retreat and become more entrenched in their myopic view about painting or the hobby, or humble themselves, realize that a larger world exists than themselves, and either have more of a respect for someone who can use an airbrush artistically or realize that they have a lot to learn.

Because it takes literally hours just to get competent, and 100s of hours to really get proficient with this tool. It's incredibly frustrating at times. And the process can repeat itself with any change in the formula- new paints, different air, different work environment (humidity, lighting, airflow), shooting for different outcomes, slighting changes in the build up of a project.

What I've noticed is that many of us who like to airbrush do it because we like the tool, and we are willing to put up with all this to gain some level of proficiency, and then we enjoy it. It's not because its necessarily easier. And I'm talking about using an airbrush for more than a glorified spray gun, to basecoat.

Lastly, airbrushing has helped me improved my brush painting significantly. I know how to control the qualities of paint, not only from an artistic standpoint, but how it acts in general. But the most important thing I've learned is that everything I can do with a brush I could do with an AB, and vice versa. It's more about being pragmatic when choosing which to use. Now, this said, to answer the questions post above: there are people who use an airbrush and IMO don't really 'finish' the project to the common standard that mainy figure painters would commonly expect. I've used AB/brush work for years on figures, and am totally stoked that Giraldez is promoting this idea, but you can't just blast the figure with a bunch of pain, and call it done. This is the main critique that people have. It's not the use of the AB; if anything its 'laziness' in finishing a project.

Clearly, the photo posted by winterdyne demonstrates what I am speaking about, in comparison to the other photos posted. Most of the other pictures show projects that IMO aren't finished because they are not adequately detailed. I say this as an individual who has painted many commission pieces over the years.

And this is where I now say there are things you can do with a brush that are just much simpler, accurate, faster, easier than with an AB. So, does that mean because I didn't mask it off a section and painted it with my AB, or because I can feather out highlights and shadows much more quickly and accurately with brushes than an AB, that I'm cheating?




I agree 100% with everything you said. I use a regular brush, but I also use an airbrush. My hands start to shake after some time when using a regular brush, but they don't shake as much when using an airbrush, and when they do shake with an airbrush it is easier to mitigate (for me anyway). I won't claim to be anything other than average at either technique, but the airbrush helps speed up the process a bit allowing me more time to focus on details. Considering I am an extremely slow painter this is a huge boon. Wish I could afford to use a painting service because my models deserve better imo and I don't think I will ever have the skills, time, or eyesight needed to achieve that. Maybe some day I can afford to give my models they love they deserve. Also probably doesn't help I am lacking in space to do painting lol.
Made in us
Dakka Veteran




Miles City, MT

 Peregrine wrote:
 tyrannosaurus wrote:
One I found particularly distasteful was the bashing of Kenny Boucher at Next Level Painting http://www.nextlevelpainting.blogspot.co.uk/ who received a lot of, in my opinion, unfair comments on his work. Granted, it is heavily airbrushed, but check out the gallery - this guy has skill.


I, on the other hand, think he should be criticized. His work is better than bare plastic but it's really not impressive and is a good example of how not to use an airbrush: massively exaggerated highlighting which seems to exist for the sole purpose of proving that an airbrush was used and has nothing to do with where light and shadow would be on the "real" thing, awful OSL/glow effects, etc. And let's not forget that he isn't some poor newbie getting bashed for trying to show off their cool toys. He's a commission painter running a for-profit business.


I don't think his stuff is the best or the worst. He does try to help others get better, though some might say he is teaching people wrong. I can't comment too much sense I haven't seen a lot of his work. His style isn't my thing. What I have seen of his work has been a lot of rainbow colors and bright colors. I prefer duller grittier work. I can be okay with a little bit of rainbowing on metal barrels since they can turn a bit of rainbow color with heat, but he overdoes it imo. I wish more of the better painters out there would be more prominent and aggressive in giving out tips and tricks. Helping people improve their painting skills won't kill your business or make people as good as you. It will however, get people to respect you more and look up to you. Good publicity like that is more likely to get you more business. I also feel a lot of the wargaming community isn't as helpful as it used to be in the past as far as things go towards converting, modeling, painting and kit bashing ect. Yeah there is stuff out there on how to do it, but it doesn't hurt to rehash things or at least help people find what they are looking for.
Made in us
Dakka Veteran




Miles City, MT

 insaniak wrote:
 Peregrine wrote:
I, on the other hand, think he should be criticized. His work is better than bare plastic but it's really not impressive and is a good example of how not to use an airbrush: massively exaggerated highlighting which seems to exist for the sole purpose of proving that an airbrush was used and has nothing to do with where light and shadow would be on the "real" thing, awful OSL/glow effects, etc. And let's not forget that he isn't some poor newbie getting bashed for trying to show off their cool toys. He's a commission painter running a for-profit business.

And since he seems quite successful at it, it would seem that at least some people like that style.

The fact that you don't is a reason for you to not hire him to paint your stuff. It's not proof that he's doing it 'wrong'.


The things I dislike about Kenny is I'm not a fan of the whole "Dawg" speak, In the videos I've seen he likes to portray his method as the only way and the correct way to do things, he pushes The Long War thing too much, and he tends to wander a bit at times. That being said, I think he has good intentions and while his results aren't bad, they are not for everyone. Do I think he is the best out there? No. But he is far from the worst. But like I said I am not into super shiny and bright colors. I like my grim dark to be, well, grimy, gritty, and dark.
 
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