Orlanth wrote:Also there was no elf army at Helms Deep at all
As was barely hinted at earlier, Lothlorien had to deal with three two-pronged assaults from Moria and Dol Guldur.
An estranged, isolationist elf land, under siege, sending along a handful of elves, over miles of enemy-patrolled open country, to probably die in a last stand against ravening hordes, sounds more stupid and a slap in the face, than a point of honour.
Bromsy wrote:It was when I realized Jackson was talking completely out of his ass about being a serious Tolkien fan.
Isn't there a quote about how he threw the book out before starting the films?
Grey Templar wrote:Yeah, most of the changes Jackson made were good changes.
No.
Remember that Tolkien was never satisfied with how the books turned out
He was even less satisfied with how others, from movie producers to book cover illustrators, mucked about with his characters and themes.
Da Boss wrote:I stand with Bromsy on this one.
Ditto.
Elves at Helm's Deep and the Entmoot both fall into the latter, stinky, category to me. Whereas stuff like cutting out chunks of the start of Fellowship (and the entire character of Tom Bombadil) just makes sense to keep the movie flowing at the appropriate pace, and get it over and done with in a reasonable time.
Faramir got much the same treatment as Treebeard, I think. Turned into some kind of jobsworth hindering the effort, until given a stern talking-to by some naive hobbit, as if they were incapable of making reasoned leadership decisions by themselves.
After
LotR, King Kong, The Hobbit trilogy (?!), and his
earlier stuff*, I also think that Jackson is incapable of nuance or subtlety in his films. That's the root of his more hackle-raising decisions,
IMO. You get Arwen ambushing the party and taking over as if merely doing Glorfindel's old job doesn't make her enough of an action grrrl. Frodo's changed perception of Bilbo as a grasping little creature gets turned into a cheap horror-movie jump moment. The Watcher turns from some creeping lovecraftian horror into a randomly flailing movie monster squid with a dumb face. Theoden goes from a man who has Saruman's magical influences heaping psychological pressures onto him for a long time, to a man who's been turned into Saruman's frickin' zombie puppet. Gimli gets short and dwarf-tossing jokes. Legolas surfs shields. And so on, and so on,
ad infinitum.
(And in one of those others, you have half-hour brontosaurs stampedes, those magnificent V. rexes on their flying trapeze, and interludes to bring you a 25' tall ice-skating ape. It was more of a cheap sensation and spectacle than Kong's exhibition. Jack Black pointing at Kong and squealing 'lookit the big monkey!' and then having everything descend into chaos was a pretty appropriate if unintended metaphor,
IMO.)
*With that kind of back catalogue, I have a feeling Jackson's success is more down to adapting stories that are already popular classics, and having stellar concept and effects artists backing him up, than any inherent ability of his own. It was like he
had to string the Hobbit out into three movies, so he could have regular work for the next few years.