Thanks to the
OP for bringing this GrimDark painting "trend" to my attention! I'm very into it as well, its funny how I've missed the impact of the whole Blanchitsu aesthetic. I remember seeing Blanche painted miniatures earlier in old white dwarf issues, but they were so far and few in between all the other minis that I never got a "big picture" of how that style would lead to what we are seeing here. It was always hidden in plain sight for me
LOL
Grimdark looks much more like how I've always imagined
40K looking like. I've uncosciously been looking for this darker, muted style even in my own painting (always preferred darker metallics than what
GW uses, for example). Looks like the oils and the enamels will become an essential tool in my toolbox as well going forward.
I also love the fact that you build the paintjob by first making a mess and then dialing it back by removing paint/wash. This sort of technique will suit my flocked up eyesight much better than stressing over how I can't pull off neat edge highlights anymore after my eye injury.
I think you could get this sort of visuals without resorting to oils/enamels and hot solvents, but it would take much more effort via acrylics alone. The underlying main point of the style, at least how I interpret it is more or less:
• Edge highlighting is replaced by modulation of light and shadow across the whole miniature, emphasis more on the model as a whole rather than on individual details
• Desaturated colours, overall darker "gamma"
• Multiplying shading effects and weathering to build complexity, using translucency and layers of colour instead of relying on single shade(s) of solid colour. Kinda like how you'd combine layers in Photoshop with opacity values much below 100 in order to build a composite image and shade out from several layers
Cheers
Automatically Appended Next Post:
Azkallean wrote:Using what paints I currently have, I’ve made a 10/1 mix of Contrast Medium and Black Templar and applied it. When that had dried I made a 8/1 of Contrast Medium and Snakebite Leather.
The marine on the left is the original scheme. I applied the 2 mixes to the one on the right.
What do you think?
You are on the right track, but I think now you need to add brightness back to the model somehow. Remember, it's not just about tonening things down, it's also about having contrast. If everything is dark, nothing is - you need to add some bright colour values somewhere on the model to make the darker values look even darker.
Adding brightness would be easy if this were done with oils/enamels.. You'd just apply some white spirit and dab away.. But if you're only using acrylics, I guess you need to paint the basecoat colours back into the areas which you want to make brighter?
Check out 28 mag issue #3, page 153 "Turning Light Into Dark" for some ideas on how to paint this sort of things using only Citadel acrylics. The Lahmian medium trick might turn out very useful, for example.