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No need to spend time or money going to film school anymore, you can just use the handy Film School Thesis Statement Generator and feel like you already wasted all that time sleeping in class!

My thesis for Judge Dredd: Through the poetic use of tableaux, Judge Dredd masks socioeconomic ambivalence in American society.

Note: You can enter any series of words, but funny little website nonetheless

The masking of narrative in King Gak of Feth Mountain exposes suburban notions of containment.

Through the masking of narrative, I like boobs fetishizes male fears of castration.

The juxtaposition of poverty and nature in Loud Guns and Fast Cars subjugates the post-war crisis of masculinity.

Well, that really hit the nail on the head.

Through the strategic use of narrative ellipses, Eraserhead masks passive and active gaze.

Well, I don't know if I agree with that, but it certainly sounds like something someone who could sit through Eraserhead to the end and enjoy it might try to say.


Automatically Appended Next Post:
Time Bandits unravels dominant ideological notions of whiteness through its frequent use of long takes.

Oooh.. Much like the end of a Terry Gilliam film, the thesis generator just broke down.

The juxtaposition of poverty and nature in Some like it hot colonizes nativist arguments of the early-twentieth century.

Through the conflicting duality of progress and humanity, On the watefront launches visual salvos against dominant ideological notions of whiteness.

Deepthroat unpacks shared fears of the post-Columbine epoch through its poetic use of tableaux.

Debby does dallas fetishizes the post-war crisis of masculinity through its frequent use of long takes.

Hmm.. I got

Through the deliberate suppression of colors meant to signify passion, Warhammer 40,000 echoes stereotypical conceptions of Islamofascism.

 hotsauceman1 wrote:
Debby does dallas fetishizes the post-war crisis of masculinity through its frequent use of long takes.

I will never watch it the same way again!

Ultramarines: A Warhammer 40,000 Movie asks telling questions of scopophilic tendencies of the viewer through its conflicting duality of progress and humanity.

Through the prevalance of foreground obstructions, Ultramarines: A Warhammer 40,000 Movie contains and then breaches the achievement of a state of wholeness.

Through the strategic use of narrative ellipses, Ultramarines: A Warhammer 40,000 Movie subverts the plight of the migrant worker in post-war America.

This generator is far too amusing.

@Thread

Hooray for anti-intellectual self-congratulation.

 Manchu wrote:
@Thread

Hooray for anti-intellectual self-congratulation.

>_>

Through the use of the male gaze, Manchu hybridizes the primacy of scholarship in the Abrahamic religions.

 Manchu wrote:
@Thread

Hooray for anti-intellectual self-congratulation.

I'm not sure I consider film school theses generally intellectual, but YMMV.

...And Alf gets my exalt for the day.

 Manchu wrote:
@Thread

Hooray for anti-intellectual self-congratulation.

I've written papers (and read papers) that sound like the ones it is generating, which is why I liked it to begin with; I saw it as more as a self-referential wink then anything mean spirited. I wrote a thesis on Masculine Representation and the use of Male Gaze in Spaghetti Westerns and it's socio-political effect on the US film industry in the 70's. It was a barn burner, to be sure.

mega_bassist wrote:...And Alf gets my exalt for the day.

Thanks,

Ahtman wrote:

 Manchu wrote:
@Thread

Hooray for anti-intellectual self-congratulation.

I've written papers (and read papers) that sound like the ones it is generating, which is why I liked it to begin with; I saw it as more as a self-referential wink then anything mean spirited. I wrote a thesis on Masculine Representation and the use of Male Gaze in Spaghetti Westerns and it's socio-political effect on the US film industry in the 70's. It was a barn burner, to be sure.

Most of these sound like the theses that I got from my 'Writing for College' students I taught during my student teaching. Like these kids had heard a few terms and just were looking for reasons to use them.

I got quite the laugh of out of this

 Polonius wrote:

 Manchu wrote:
@Thread

Hooray for anti-intellectual self-congratulation.

I'm not sure I consider film school theses generally intellectual, but YMMV.

You're doing it right.

The political use of voiceover in Chicken Wings for Jesus calls into question suburban notions of containment.

The binarism of light and racism in I Can't Believe I Ate The Whole Thing demystifies the subjugation of the individual in the face of the primacy of television.

Through the expressionistic play between sound and history, There's a Snake in My Boots launches visual salvos against the pre-war crisis of masculinity.

 Manchu wrote:
@Thread

Hooray for anti-intellectual self-congratulation.

Well, for certain values of 'intellectual'.

I am reminded of this:

Through the use of telling jump cuts, Beer for Breakfast, Breakfast for Dinner reduces the canonical status of nativist arguments of the early-twentieth century.

Through the binarism of light and racism, That's What She Said! questions established notions of the star system

 daedalus wrote:

 Manchu wrote:
@Thread

Hooray for anti-intellectual self-congratulation.

Well, for certain values of 'intellectual'.

I am reminded of this:

You're also doing it right -- bonus points for reminding us SCIENCE! is okay.

 Ahtman wrote:
No need to spend time or money going to film school anymore, you can just use the handy Film School Thesis Statement Generator and feel like you already wasted all that time sleeping in class!

My thesis for Judge Dredd: Through the poetic use of tableaux, Judge Dredd masks socioeconomic ambivalence in American society.

This, along the existential essay generator, definitely tops my list of reasons why I like the Interwebz. Well, you know, right under naked women and lolcats.

So much exalted!

Edit : they even somewhat fit! : "Equilibrium delegitimizes the rise of currency and the loss of utopia through its expressionistic play between sound and history.''

2nd Edit : okay, well, they don't necessarily fit that well : ''The use of telling jump cuts in Rocky questions nativist arguments of the early-twentieth century.''

Also, seriously, $60K for film school? These are the moments when I'm reminded why I'm so happy to live here.

 Manchu wrote:


You're also doing it right -- bonus points for reminding us SCIENCE! is okay.

Well, I DO aim to please.

Haha that was a funny waste of a few minutes.

Through the binarism of light and racism, This Thread exposes the rise of currency and the loss of utopia.

 Kovnik Obama wrote:
Also, seriously, $60K for film school? These are the moments when I'm reminded why I'm so happy to live here.

I just sort of randomly assigned a number, just going at 20k for undergrad and 40k for grad.

Through the masking of narrative, This thread questions order and chaos.

Through the conflicting duality of progress and humanity, This thread fragments existentialist philosophy

Dakka fragments existentialist philosophy...
Note: According to my spell check I misspelled 'fragments' but spelled 'existentialist' correctly.

The use of the male gaze in Fellowship of the Ring delegitimizes nativist arguments of the early-twentieth century.

The use of implied depth-of-field in Arsebiscuits calls into question the rise of currency and the loss of utopia.