Forum adverts like this one are shown to any user who is not logged in. Join us by filling out a tiny 3 field form and you will get your own, free, dakka user account which gives a good range of benefits to you: No adverts like this in the forums anymore. Times and dates in your local timezone. Full tracking of what you have read so you can skip to your first unread post, easily see what has changed since you last logged in, and easily see what is new at a glance. Email notifications for threads you want to watch closely. Being a part of the oldest wargaming community on the net. If you are already a member then feel free to login now.

Hi folks, Some of you will remember the other guild crews I have been painting up recently. I finally got round to doing the photography for Sonnia's crew. Im rather happy with the way these came out, the purifying flame not so much, but i might go back in and do some more work on him anyway. As with my other crews this is in the Midnight theme colours. and with the rest of my crews there are on DCB miniatures street bases

I had a lot of fun painting the witchling stalkers and especially painting Samael hopkins, who is the most badass miniature in malifaux.

Played a game with her against Ramos recently and was rather pleased with how much she can blow stuff up, made managing those spiders a lot easier.












This Is Samael hopkins.








Thanks for reading.

Very nice stuff, thanks for sharing!

Very good fire effect, very bright looking

Fantastic. I love the dusty effect in the folds of the clothing, and the glow from the fire on the base. Very well done.

Dude, your blending is just insane!

Crazy good stuff, and truly inspiring. These crews you've posted have got me into Malifaux without a second thought!

Well Im glad to hear that "paradigim" I Hope you have as much fun with the malifaux models as I have. They have truly been the most fun Ive had painting.


Automatically Appended Next Post:
Thanks for the comment "darefsky".


The blending works well on these models as the placement of the blend is just as Important as the physical execution of the gradient. so if the colours / blends are in the right place there always going to look cool.

I will say that the right place to put colours / blends isnt set by a single theory of composistion. Its simply wherever will make the model look cool, even if it doesnt make sense from a composition stand point.