The_Juggler wrote:Using the ink wash darkens the color quite considerably, enough so that they don't really have the right color for Ultramarines anymore. Is there any way around that?
I've tried diluting the ink with water, but that seems to make it splotchy and it doesn't really darken the low points so much as it does darken the whole thing more evenly.
And I've tried adding a bit (a really tiny bit) of dish soap as I've read about, but that seems to make bubbles form and it dries that way.
Yeah I agree that it makes everything look much smoother, ties everything together, and helps blend the different levels of highlight.
But it just turns out so dark - any tips there?
Ok, I think I grok what you're going for.
I think what's holding you back is the Asurmen Blue wash. As you've noticed,
GW washes shade colour and dry to a matte finish. This makes them great for what they do, but not for the technique you're looking for, which is glazing.
A long time ago,
GW only sold stuff called 'ink'. It was basically the same as artist's inks, which are just that. Inks. A few years later, they separated their product lines into 'washes' and 'glazes', with the glazes being basically diluted inks (the actual chemical stuff is more complex) intended for glazing. Then, the glazes were discontinued and the washes reverted to being called 'ink', and nowadays we have washes again, which are a lot different than the old ones. Confusing, isn't it?
In any case, a
glaze is a very thin coat of ink painted over an opaque colour that tints it in some way while allowing the original colour to show through. This is what I believe you're looking for in your lightest highlight parts. To accomplish it, you'll need a bottle of blue ink or blue glaze. I don't know what brands you have available in your neck of the woods, but if there's no glaze available (you might want to check at an artist supply shop), I'd try Vallejo blue ink and their
Glaze medium, in a 50/50 mix.
Use that to glaze the top highlights with a very thin coat, then work downwards from there, applying more coats as the highlights darken, and finally use straight asurmen blue wash in the darkest regions.
You will need to thin your ink. I haven't had any problems with water, but water quality (hardness, microparticles, etc.) might be an issue. Dish soap breaks down surface tension, but as you've noticed, the bubbles are an issue. It's less of a problem with paint, since paint is thicker, but with inks, and especially if you're trying to glaze, dish soap will work heavily against you.
Note that this technique is not something that I have a great deal of experience with, nor have I done it in a long time, so keep your grains of salt handy.