Forum adverts like this one are shown to any user who is not logged in. Join us by filling out a tiny 3 field form and you will get your own, free, dakka user account which gives a good range of benefits to you:
No adverts like this in the forums anymore.
Times and dates in your local timezone.
Full tracking of what you have read so you can skip to your first unread post, easily see what has changed since you last logged in, and easily see what is new at a glance.
Email notifications for threads you want to watch closely.
Being a part of the oldest wargaming community on the net.
If you are already a member then feel free to login now.
The original is of course a stone cold classic. But, David Bowie was a significant part of that. Not only for his beguiling performance as the Goblin King, but the music he provided.
So this does have an uphill battle. But, Dark Crystal was seamlessly resurrected on Netflix, so maybe it can be done?
Fed up of Scalpers? But still want your Exclusives? Why not join us?
My concern is that whilst both were self contained films, Dark Crystal clearly had a lot more world building going on. There was a past and a future within the fantasy story. Labyrinth is a very self contained story even within its self contained film. There's a past to the Labyrinth itself, but not to the main character; meanwhile the future is left very uncertain.
I guess its easier for an audience of Dark Crystal to see potential further stories in the past and future of the setting for writers to latch onto; with Labyrinth there's far less of that so there's less to latch onto. The risk is that the writers could go way out of the basket and the result is something that is faithful, well made and good but which just lacks the proper connections.
I do think it will have a very different and more serious style; musicals are just not popular at all right now. At the time they were all the craze and Disney was pumping them out everywhere; today musicals really aren't all that big. There's a few niches hanging on like Disney animations, but big musicals don't really feature in the blockbuster Hollywood listings like they used too.
This message was edited 1 time. Last update was at 2020/05/28 11:31:43
Seen enough Labyrinth future fanfics to know how this will go (some quite good), or it will be completely unrelated. And the future versions just don't work without investing in a more complex relationship between Sarah and the Goblin King. And without Bowie, that dog don't hunt.
Do something new, Hollywood. Stop dragging out corpses to violate. They were fine as complete stories. Just because its quick, easier and cheap to assume an 'unfinished tales' aspect to every film doesn't mean you should.
The original is of course a stone cold classic. But, David Bowie was a significant part of that. Not only for his beguiling performance as the Goblin King, but the music he provided.
So this does have an uphill battle. But, Dark Crystal was seamlessly resurrected on Netflix, so maybe it can be done?
This is kinda my thoughts, though maybe not quite as optimistic. The original was so much driven by Bowie personally, I'm not sure that it can be Dark Crystal'd, but DC was actually very well done so that's keeping me from being outright hostile to the idea.
IRON WITHIN, IRON WITHOUT.
New Heavy Gear Log! Also...Grey Knights! The correct pronunciation is Imperial Guard and Stormtroopers, "Astra Militarum" and "Tempestus Scions" are something you'll find at Hogwarts.
I just hope they don't get stuck slaving themselves to the old stories - grand as they were I'd love them to do some new stuff as well. Fantasy could do with some big new films and series and general energy. IT seems Lord of the Rings somehow was so vast that it sapped all the big/quality end fantasy for years after.
Zed wrote: *All statements reflect my opinion at this moment. if some sort of pretty new model gets released (or if I change my mind at random) I reserve the right to jump on any bandwagon at will.
I think it would work to have a teenaged Toby get abducted by Goblins to become the new Goblin King as the old one has "moved on to what's next" (the Goblins could literally use those words). And then it's an adventure of a older teen Toby being pulled this way and that through the labyrinth trying to find a way home because if he's there too long he becomes the Goblin King and basically won't be able to leave. Not in any way that lets him regain his life.
These are my opinions. This is how I feel. Others may feel differently. This needs to be stated for some reason.
Lance845 wrote: I think it would work to have a teenaged Toby get abducted by Goblins to become the new Goblin King as the old one has "moved on to what's next" (the Goblins could literally use those words). And then it's an adventure of a older teen Toby being pulled this way and that through the labyrinth trying to find a way home because if he's there too long he becomes the Goblin King and basically won't be able to leave. Not in any way that lets him regain his life.
Eh. Knowing Hollywood (and the way the original ended) an emo teen Toby will _want_ to become the goblin king, but his friends will come along, he'll Learn Something Today, and go back to normality and an unfortunately boring life and this will be counted a victory.
Mostly because a lot of the things that worked about the original were also kind of bad, you know?
But Hensen might have given up on creating more Labyrinth style cult hits when Mirror Mask wasn't s smashing success (despite being as good as Henson's classics).
This message was edited 1 time. Last update was at 2020/06/15 17:01:36
its got a fair few things in common with Labyrinth, young woman on a fetch quest for a magic mcguffin to save her Mum, in a fairytale realm that may or may not exist and has a bit of an Oz vibe as a lot of the cast have roles in both realms, very Neil Gaimen storywise but really interesting visuals thanks to Dave McKean, worth a watch for those alone
"AND YET YOU ACT AS IF THERE IS SOME IDEAL ORDER IN THE WORLD, AS IF THERE IS SOME...SOME RIGHTNESS IN THE UNIVERSE BY WHICH IT MAY BE JUDGED."
A lot of films follow the same paradigm as Labyrinth. You have a young protagonist who is frustrated at not having control in their real life who then travels to a fantasy realm where he/she deals with the issues of empowerment. Kind of an external world that exists to serve the protagonist's personal character arc.
For Sarah, she really just has to acknowledge her own power and stop telling herself that she's helpless against an unfair world.
I usually call it the Alice in Wonderland story paradigm. Many films and books do very different things with it. I think my very favorite use of the paradigm is Pan's Labyrinth (which distinguishes itself by being very violent).
Coraline and Time Bandits also do some neat things with the paradigm.
This message was edited 1 time. Last update was at 2020/06/16 15:53:19