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LOS ANGELES - Whitney Houston, who ruled as pop music's queen until her majestic voice and regal image were ravaged by drug use, erratic behavior and a tumultuous marriage to singer Bobby Brown, died Saturday. She was 48.
Beverly Hills police Lt. Mark Rosen told reporters outside the Beverly Hilton that Houston was pronounced dead at 3:55 p.m. in her room on the fourth floor of the hotel. Her body remained there and Beverly Hills detectives were investigating.
"There were no obvious signs of any criminal intent at this time," Rosen said.
PHOTOS: Whitney Houston through the years | Recent celebrity deaths
MORE: What's your favorite Whitney Houston song? | Recent obituaries
Houston's publicist, Kristen Foster, said Saturday that the cause of her death was unknown.
Houston's death came on the eve of music's biggest night — the Grammy Awards. It's a showcase where she once reigned, and her death was sure to cast a heavy pall on Sunday's ceremony.
Her longtime mentor Clive Davis was to hold his annual concert and dinner Saturday, and a representative of the show said it would proceed.
Houston was supposed to appear at the gala, and Davis had told The Associated Press that she would perhaps perform: "It's her favorite night of the year ... (so) who knows by the end of the evening," he said.
Houston had been at rehearsals for the show Thursday, coaching singers Brandy and Monica, according to a person who was at the event but was not authorized to speak publicly about it. The person said Houston looked disheveled, was sweating profusely and liquor and cigarettes could be smelled on her breath.
Two days ago, she performed at a pre-Grammy party with singer Kelly Price.
Rosen said police received a 911 call from hotel security about Houston at 3:43 p.m. Saturday, and paramedics were already at the hotel because of a Grammy party. Paramedics unsuccessfully tried to resuscitate the singer, the lieutenant said.
The Rev. Al Sharpton said he would call for a national prayer Sunday morning during a service at Second Baptist Church in Los Angeles.
"The morning of the Grammys, the world should pause and pray for the memory of a gifted songbird," Sharpton said in a written statement.
At her peak, Houston was the golden girl of the music industry. From the middle 1980s to the late 1990s, she was one of the world's best-selling artists. She wowed audiences with effortless, powerful, and peerless vocals that were rooted in the black church but made palatable to the masses with a pop sheen.
Her success carried her beyond music to movies, where she starred in hits like "The Bodyguard" and "Waiting to Exhale."
She had the perfect voice and the perfect image: a gorgeous singer who had sex appeal but was never overtly sexual, who maintained perfect poise.
She influenced a generation of younger singers, from Christina Aguilera to Mariah Carey, who when she first came out sounded so much like Houston that many thought it was Houston.
But by the end of her career, Houston became a stunning cautionary tale of the toll of drug use. Her album sales plummeted and the hits stopped coming; her once serene image was shattered by a wild demeanor and bizarre public appearances. She confessed to abusing cocaine, marijuana and pills, and her once pristine voice became raspy and hoarse, unable to hit the high notes as she had during her prime.
"The biggest devil is me. I'm either my best friend or my worst enemy," Houston told ABC's Diane Sawyer in an infamous 2002 interview with then-husband Brown by her side.
It was a tragic fall for a superstar who was one of the top-selling artists in pop music history, with more than 55 million records sold in the United States alone.
She seemed to be born into greatness. She was the daughter of gospel singer Cissy Houston, the cousin of 1960s pop diva Dionne Warwick and the goddaughter of Aretha Franklin.
Houston first started singing in the church as a child. In her teens, she sang backup for Chaka Khan, Jermaine Jackson and others, in addition to modeling. It was around that time when music mogul Clive Davis first heard Houston perform.
"The time that I first saw her singing in her mother's act in a club ... it was such a stunning impact," Davis told "Good Morning America."
"To hear this young girl breathe such fire into this song. I mean, it really sent the proverbial tingles up my spine," he added.
Before long, the rest of the country would feel it, too. Houston made her album debut in 1985 with "Whitney Houston," which sold millions and spawned hit after hit. "Saving All My Love for You" brought her her first Grammy, for best female pop vocal. "How Will I Know," ''You Give Good Love" and "The Greatest Love of All" also became hit singles.
Another multiplatinum album, "Whitney," came out in 1987 and included hits like "Where Do Broken Hearts Go" and "I Wanna Dance With Somebody."
The New York Times wrote that Houston "possesses one of her generation's most powerful gospel-trained voices, but she eschews many of the churchier mannerisms of her forerunners. She uses ornamental gospel phrasing only sparingly, and instead of projecting an earthy, tearful vulnerability, communicates cool self-assurance and strength, building pop ballads to majestic, sustained peaks of intensity."
Her decision not to follow the more soulful inflections of singers like Franklin drew criticism by some who saw her as playing down her black roots to go pop and reach white audiences. The criticism would become a constant refrain through much of her career. She was even booed during the "Soul Train Awards" in 1989.
"Sometimes it gets down to that, you know?" she told Katie Couric in 1996. "You're not black enough for them. I don't know. You're not R&B enough. You're very pop. The white audience has taken you away from them."
Some saw her 1992 marriage to former New Edition member and soul crooner Bobby Brown as an attempt to refute those critics. It seemed to be an odd union; she was seen as pop's pure princess while he had a bad-boy image, and already had children of his own. (The couple had a daughter, Bobbi Kristina, in 1993.) Over the years, he would be arrested several times, on charges ranging from DUI to failure to pay child support.
But Houston said their true personalities were not as far apart as people may have believed.
"When you love, you love. I mean, do you stop loving somebody because you have different images? You know, Bobby and I basically come from the same place," she told Rolling Stone in 1993. "You see somebody, and you deal with their image, that's their image. It's part of them, it's not the whole picture. I am not always in a sequined gown. I am nobody's angel. I can get down and dirty. I can get raunchy."
It would take several years, however, for the public to see that side of Houston. Her moving 1991 rendition of "The Star Spangled Banner" at the Super Bowl, amid the first Gulf War, set a new standard and once again reaffirmed her as America's sweetheart.
In 1992, she became a star in the acting world with "The Bodyguard." Despite mixed reviews, the story of a singer (Houston) guarded by a former Secret Service agent (Kevin Costner) was an international success.
It also gave her perhaps her most memorable hit: a searing, stunning rendition of Dolly Parton's "I Will Always Love You," which sat atop the charts for weeks. It was Grammy's record of the year and best female pop vocal, and the "Bodyguard" soundtrack was named album of the year.
She returned to the big screen in 1995-96 with "Waiting to Exhale" and "The Preacher's Wife." Both spawned soundtrack albums, and another hit studio album, "My Love Is Your Love," in 1998, brought her a Grammy for best female R&B vocal for the cut "It's Not Right But It's Okay."
But during these career and personal highs, Houston was using drugs. In an interview with Oprah Winfrey in 2010, she said by the time "The Preacher's Wife" was released, "(doing drugs) was an everyday thing. ... I would do my work, but after I did my work, for a whole year or two, it was every day. ... I wasn't happy by that point in time. I was losing myself."
In the interview, Houston blamed her rocky marriage to Brown, which included a charge of domestic abuse against Brown in 1993. They divorced in 2007.
Houston would go to rehab twice before she would declare herself drug-free to Winfrey in 2010. But in the interim, there were missed concert dates, a stop at an airport due to drugs, and public meltdowns.
She was so startlingly thin during a 2001 Michael Jackson tribute concert that rumors spread she had died the next day. Her crude behavior and jittery appearance on Brown's reality show, "Being Bobby Brown," was an example of her sad decline. Her Sawyer interview, where she declared "crack is whack," was often parodied. She dropped out of the spotlight for a few years.
Houston staged what seemed to be a successful comeback with the 2009 album "I Look To You." The album debuted on the top of the charts, and would eventually go platinum.
Things soon fell apart. A concert to promote the album on "Good Morning America" went awry as Houston's voice sounded ragged and off-key. She blamed an interview with Winfrey for straining her voice.
A world tour launched overseas, however, only confirmed suspicions that Houston had lost her treasured gift, as she failed to hit notes and left many fans unimpressed; some walked out. Canceled concert dates raised speculation that she may have been abusing drugs, but she denied those claims and said she was in great shape, blaming illness for cancellations.
Oh shes dead? Hmm looking for some sort of tear to shed or tiny violin to play... Nope cant seem to find either. Oh well looks like i'll have to go care about something important.
Snrub wrote:Oh shes dead? Hmm looking for some sort of tear to shed or tiny violin to play... Nope cant seem to find either. Oh well looks like i'll have to go care about something important.
Snrub wrote:Oh shes dead? Hmm looking for some sort of tear to shed or tiny violin to play... Nope cant seem to find either. Oh well looks like i'll have to go care about something important.
Too harsh??
If people don't care about a topic there are always two options:
Don't post (because you truly don't care)
or
Only post for the sake of trolling and to piss of people who do care.
Oh im sorry. I find it hard to care, let alone mourn for someone who most likey died of a drug overdose that was their own doing.
Now providing that it was a drug od (and while its not a definate thing yet its looking pretty good that it is) how many people die everyday due to a drug od? And how many of them get their name sprawled across Newspaper headlines and Tv & Computer screens? None. Naught, nada, zip, zilch. 0.
I'd imagine it would have something to do with her being a famous musician who has sold millions of records, along with her other accomplishments? I mean I don't really care about her being alive or dead either and so I stayed out of the tread (the only reason I read this thread was because the "last post preview" mouse over thing was of someone talking about one of your posts).
Her life is too short :cry:
She is one of the 90s 'howling divas'. along with Celine Dion, Mariah Carey (whom almost ended her life in 2001, her career doesn't seem to back on track since MonarC days (dunno the fate of the studio meow), all of which came to fame by the mid 90s, (and saw decline by 2000)
Personally i'm not into this type of Diva. i'm more on 'Disco kats' like Madonna (50+ years strong with no sign of ailings) and Kylie Minogue (7 years ago. the Foul nurgle almost took her life away), and some several fabulous deejays. meow
Does Whitney Houston's demise related to the drug addictions she had been done in the late career? (it is said that her (ex) husband lured her into this venom-tipped trap)
Funny how often people who 'don't care' need to make a scene how much they don't care.
I didn't follow her music and didn't know about the problems with drugs or difficult marriage. I thought she was older than 48 though. Looking at various obituaries, it seems likely to be a drink/drugs related death. It seems that fame and stardom is a path to self destruction for many people, and that *is* sad IMO.
Snrub wrote:Oh im sorry. I find it hard to care, let alone mourn for someone who most likey died of a drug overdose that was their own doing.
Now providing that it was a drug od (and while its not a definate thing yet its looking pretty good that it is) how many people die everyday due to a drug od? And how many of them get their name sprawled across Newspaper headlines and Tv & Computer screens? None. Naught, nada, zip, zilch. 0.
Why should Whitney be any different?
regardless that the majority of this forum member (as i'm aware of) is a fan of punk / rock / metal , which the fan communities of this genre usually (but not always) have a bad reputation of 'taste intolerancy' (especially to anyone who listens to what they might percieved as 'unmanny musics'). the same majority of such fans of 'the real musics' are all 'refined'.
this is the reasons why there's a 'Whitney Houston comemmorial' thread here on Dakka..
'Whitney doesn't be anything different' if you view her as 'just a human being' or 'worthless musician' but she has a big contribution to the music world in the Mid 90s. While i'm not a fan of Whitney Houston (and the genre of 'howling balland divas' musics). rejoicing her death is a barbarism by the 'civilized men' standard.
Lone Cat wrote:'Whitney doesn't be anything different' if you view her as 'just a human being' or 'worthless musician' but she has a big contribution to the music world in the Mid 90s.
Her best period is usually considered to be the mid-80s, mate.
She was a pretty big deal when I was a kid. I remember in music class (I guess I was like 8 or so) we did some of her songs (I remember "The Greatest Love" standing out). And, of course, there was "I Will Always Love Yooooooooooooooooooooouuuuuuuuuuuuuu", which got a fair bit of airplay.
A terrible waste.
lord_blackfang wrote: Respect to the guy who subscribed just to post a massive ASCII dong in the chat and immediately get banned.
Flinty wrote: The benefit of slate is that its.actually a.rock with rock like properties. The downside is that it's a rock
Snrub wrote:Oh shes dead? Hmm looking for some sort of tear to shed or tiny violin to play... Nope cant seem to find either. Oh well looks like i'll have to go care about something important.
Too harsh??
Yes, and if I were a mod here I would make sure you didn't get to post here for some time, the most obvious and insensitive troll post I have seen on Dakka for some time.
Anyway
Terrible waste, 'don't do drugs kids'. Don't think it helped that her boyfriend was a total scumbag, and I think was the one who turned her onto them in the first place.
She had an incredible voice, and was very pretty as well. But they were playing some of her stuff on the radio this morning, and I had to consider how much I disliked all of it. It was basically artless, like the strategy was just to throw a generic beat behind her voice and let that sell a record.
Can't say the strategy didn't work, because she sold a lot of records, but considering how she ended up, I can't help but see a kind of mercenary* approach in her music, and think maybe if she'd put a bit more into her art, this might have been different.
*It probably isn't the right word, but it's the first one that came to mind.
“We may observe that the government in a civilized country is much more expensive than in a barbarous one; and when we say that one government is more expensive than another, it is the same as if we said that that one country is farther advanced in improvement than another. To say that the government is expensive and the people not oppressed is to say that the people are rich.”
Adam Smith, who must have been some kind of leftie or something.
@Sebster: I most certainly have to agree with your assessment of her work. Sure, she may have a better singing voice than I ever will (unless of course people begin to consider overly deep off-keying shrieking to be good), but there wasn't a whole lot of art to her art.
Regardless of her talent or lack thereof, it sucks that a fellow human being is gone.